Category: Gaming

Is Crash Bandicoot Really That Difficult?

By Liam Menzies (@blnkclyr)

We may be a little while away from actual time travel but this past Friday, we got the next best thing. After nearly a decade without gaming’s favourite orange spinning marsupial, Vicarious Visions released a HD Remake of the original Naughty Dog developed Crash Bandicoot trilogy – not to spoil our review that’ll be dropping in the next few days but it’s a faithful recreation that manages to instil a great sense of joy and nostalgia, even to those who haven’t previously played the quintessential PS1 titles.

However, we’re not here to chat about how much we’ve enjoyed the comeback of Crash, Coco and co. No, instead we’re here to chat about a specific story that seems to have been gaining a lot of traction over the past few days regarding the challenge the game offers. Here’s a few tweets to paint the picture:

Playing/streaming Crash Bandicoot. Forgot how hard this is. Have already died many times. Halp. #CrashBandicootNSaneTrilogy

— Peregrine 🎃 (@PeregrineTV) July 2, 2017

I spent an hour and half on one level yelling fuck the whole time lol probably like 10 game overs 😂 we were bad ass at video games as kids 🤣

— Jason Richardson (@jasonGRIN) July 2, 2017

My death count in Crash Bandicoot is higher than my death count in Dark Souls and Bloodborne combined.

— Seán Nolan (@WOFSET) July 1, 2017

As soon as I saw this narrative that other gamers were trying to push, I rolled my eyes faster than the wumpa fruit icon. We are living in a time of challenging games after going through a period of hand-holding, difficult to die games (that are still around sadly), such as Dark Souls, Bloodborne, Binding of Isaac and much, much more. While Crash Bandicoot has a fresh lick of paint and other new goodies attached, it’s still very much a product of its time and isn’t a game to be included amongst the aforementioned titles.

A quick history lesson for those unacquainted with consoles before the PS2: analogue sticks weren’t always a thing. It wasn’t until around a third of the way into the PS1’s lifespan that analogue control was incorporated, allowing for all titles after to benefit from a greater level of dexterity and accuracy. Sadly, this meant that most early titles such as the original Crash were at a bit of a disadvantage despite the fact they were made solely with directional buttons in mind. The game is pretty easy for the first half, with only the latter portion providing a lot of challenge, some of which came from some cheap trial and error gameplay as well as the controls just not being up to scratch.

Naughty Dog were aware of these issues though and when it came to the sequels, Cortex Strikes Back and Warped, the controls were improved significantly with not only the analogue sticks helping out but a new bunch of skills at your disposal. Whether intentional or not, this meant that a great deal of challenge was alleviated from the games with most difficult stages requiring just a small amount of patience to be able to beat: after all, a lot of younger players managed to beat the game 100% so it wasn’t a Goliath sized feat.

Sadly, this outrage over difficulty seems to be unaware of this and it’s hard to pinpoint why. It would be naive to assume these people aren’t good at games, considering one of those outraged has managed to beat some Soulsborne games, but it may be the case that they aren’t good at these type of games.

They may have played it when they were younger but chances are, bar these early steps in the platforming genre in their early days, they haven’t returned to similar games since. The past few generations have been heavily reliant on gritty FPS shooters and action packed third person titles, which has allowed a remake like Crash to feel so refreshing more than 2 decades after its release. With this in mind, as well as many of these gamers being adults with full time jobs and growing up around a culture of speed-running and social network connected trophy hunting, that small amount of patience required to complete the challenges these games throw at you may have disappeared entirely.

That’s not to say there’s not any challenge to be found in these games at all: Slippery Climb is a level that stole many a life from me in my early days and the time trials that are included in all three games will have you etching the layouts for each world into your mind. However, most of the criticisms I’ve seen revolving around challenge seem to be coming from levels which are, to put it lightly, simple – ones like the very first level of Crash Bandicoot which offers very little in the way of genuine difficulty, bar maybe the split path which requires you to hop on every box in order to get a gem.

Overall, the main point of this ramble isn’t simply to say “I’m better than you”, rather to show gamers trying to find difficulty where it simply isn’t. If anything, it’s a relief to see so much discussion surrounding an era gone-by and hopefully with this remake seemingly being a success, future titles in the Crash franchise could offer more of a challenge. Regardless, if you’ve made it this far and take one thing away from this rant, it’s this: just have a little patience.

Game Review: PlayerUnknown’s Battlegrounds

By Sanjeev Mann (@Ask_Sanjeevs )

Traversing across a field, making my way to the next zone with 40 people remaining, I knew something was going down. The circle was coming in by the second and I could hear bullets in every direction. With our group receiving an abundance of casualties, it was only myself and another teammate left to fend for ourselves. The bullets were coming closer and closer. Out of nowhere I was hit, but I had no clue where it came from. I frantically spun my camera in every direction possible and there it was, a muzzle flash from the roof of a nearby building: they were onto us.

Stuck in the open with only a corn field and a couple of trees for cover, panicking, I prone to increase health with bandages. My mate was languishing in a tree somewhere behind me barking out the directions of the bullets and laying down some suppression fire. My hands were sweating at this point, just waiting for my head to be blown off via a Kar98 sniper. It didn’t happen, but the waiting was terrifying to say the least.

This is exactly what you’ll get from the minute you land on the island of Player Unknowns Battlegrounds. Incredibly, the game is still in early access, which means it’s effectively incomplete, and is developed by the man that brought the battle royal mod for ARMA 3, Brendan Greene.

For those of you that aren’t aware, Battlegrounds is battle royale style shooter where players parachute onto a massive island with one objective: survive. Once players land, they must scavenge buildings on the island for a variety of different weapons that range from SMGs to Assault Rifles, Snipers, or even a cooking pan to swing in someone’s face!

You also need to get a hold of bags to carry bandages, first aid, and weapon parts. The key to success is most definitely loot and, most importantly, gun attachments such as scopes and extended mags. This will make your life a whole lot easier and gives you a much needed upper hand on opponents – this set up will no doubt be familiar to those who are fans of games such as H1Z1 or PC blockbuster ARMA 3.

Not only do you need to contend with 99 other players in solos, but also a circle which shrinks the play zone every few minutes, and being caught outside of the ‘circle’ results in receiving health damage – think Battle Royale (or its copycat Hunger Games) and you’ll get the picture. The game itself has 3 game modes: solo, duo and squads which consists of up to 4 players per team.

Now lets get down to the nitty gritty: is the game actually any good? Well to put it bluntly, it’s great! The way it makes every second as nail biting as the last is superb. No matter where you are on the map, there’s a part of you that knows an enemy could be around the corner. This is especially the case for high loot zones as a number of players will be frantically looking for loot at the beginning of every game. If you’re too late, you’ll more than likely die a miserable death after a mere few minutes after landing. The plane itself travels in a random direction in every game, which makes most landings different most games. This helps to give each game a different feel from the last. The fact that you can choose when to parachute out of plane adds to this too.

From the off you need a plan. Jumping early to a high loot zone right below the plane will see you fighting it out with plenty of other players, but the loot is more than worth the risk if you survive. You could always jump late and travel a good distance to a quieter part of the island where you’re almost guaranteed to be on your own, however the loot won’t be great and you risk being a distance from the circle when it spawns. Weapons are distributed randomly, but a decent weapon can get you so far.

Even after nearly 90 hours of gameplay, I’ve found myself in the last 10 without even firing a single bullet. Hiding from enemy players and quietly going about your business is a valid tactic for sure. Even when your steadily progressing, you always have a choice: you can stay around the edge of the force-field and wait for its next destination or you can risk it and go straight into battle. You may also find yourself stuck in a room from time to time, anxiously waiting it out, listening to every single sound around you and, dare I say it, on the floor below you! All of these various factors keeps you entertained without the feeling of repetition.

Weapons are fun to use too, very well balanced , and you can feel a weight behind them. Also each weapon vary in rate of fire, and damage, and no 2 guns are the same. You could go for short range guns such as the micro UZI, UMP and Shotguns to Assault rifles such as the AK or SCAR-L. Oh and don’t forgot long range guns like the Kar98 or AWM. And as said earlier each vary in damage. Damage also depends on the level of helmet equipped by the enemy. Level 1 being the weakest and level 3 being the best.

With the win percentage being so low, the hunt for victory leaves you addicted and hungry to go back. Winning a game gives you a huge satisfaction, something that is missing from so many games over the past 10 years.

The game isn’t perfect by any means: loot sometimes refuses to be picked up, annoying latency problems, and occasionally mushy textures can cause problems and prevent you from playing when in the plane or after launching out of it. Two issues which seem to have remained constant is the game not loading in time and game freezes for a small number of players. Thankfully, updates are coming out regularly which makes the £26 price tag seem worth it, especially considering most AAA publishers don’t even put this amount of effort into fixing their games’ issues.

It’s no wonder that Battlegrounds has sold a ridiculous 4 million copies since its release on Steam 3 months ago – breathing new life into the battle royale shooter genre, Player Unknown has provided a game that is equal parts exciting and anxiety provoking. It may not be a technically perfect game, glitches are common here, but the game does enough to alleviate any issues these might bring about. Overall, Battlegrounds can stand up proudly as an example of early access done right – a rare and valuable achievement.

8/10

Best And Worst of E3 2017

By Jake Cordiner (@jjjjaketh) + Liam Menzies (@blnkclyr)

WHAT CAN ONLY BE DESCRIBED AS “CHRISTMAS FOR GAMERS”, THIS YEAR’S ELECTRONIC ENTERTAINMENT EXPO, BETTER KNOWN AS E3, TOOK PLACE IN ITS HOME OF LA. THERE WAS A LOT OF GOOD, AND A LOT OF BAD, SO WITHOUT FURTHER ADO, LET’S JUMP INTO IT!

Bethesda Were…There?

It’s hard to defend Bethesda’s conference: for every thing it did right (announcing sequels to both Wolfenstein and The Evil Within), it seemed to outdo any positives and call its own existence into question. The constant milking of Skyrim is something that’s become a bit of a joke in the gaming community and then there’s the whole mods debacle.

For those who aren’t aware, back in 2015, Bethesda announced they would be releasing mods that you would need to pay for – as you can imagine, this did not go down well at all. Their latest stab at this concept, titled Creation Club, is one that justifiably has a lot of fans worried due to charging people for content that is already free, something that has already been shown in the bloody trailer. Many gamers want creators of mods to be paid for their content but it seems somewhat scummy for a publisher to want to be the one to regulate that when there are currently programs in place (Patreon for example) that do the job better.

This on top of the fact only two games were announced that people cared about left people disappointed to say the least: worryingly, this will be a trend in this piece.

Ubisoft Swap Out Cringe for Quality

Ubisoft have a bad track record at E3 to say the least: constantly starring in E3 cringe compilations due to their attempts to be hip and cool, most who paid attention to them were more often than not just hoping to witness their new favourite laughably bad moment. That wasn’t the case this year though as the company *sharp inhale* made an effort. Granted, some of the games, most notably Assassin’s Creed Origins, just looked uninspired or dull but I’d be lying if there weren’t some gems that had people surprised.

A Mario – Rabbids crossover influenced by the X-Com games? Colour me interested. A pirate game that takes all the best elements of AC: Black Flag, allowing you to be the captain of your own ship? Count me in, matey. Motherfucking Beyond Good and Evil II being revealed (again) after being stuck in development hell for years and years? As the cockney swearing monkey in the trailer would say, I’m fucking in, govnah! With Far Cry 5 also looking like it’ll breathe new life into a series that is slowly stagnating, Ubisoft may have just done a complete u-turn in the public opinion (I give it a week till they screw up).

Microsoft’s Catchphrase Bingo

Disclaimer: The Xbox conference was by no means a disaster. Showing off a heap of fun games, Microsoft may not have done enough to convert anyone hesitant about buying an Xbox One but they certainly reassured fans who were worried that their console was going through a gaming drought. Unfortunately, most of the conference had a bit of a ghost at the feat in the form of 4K raving. If you were to take a drink for every-time Phil Spencer and co. chucked a graphical bit of jargon or mention 60FPS then you would have passed out by the halfway point. Not only that but it all came off as fake, mainly due to Spencer’s own comments regarding frames per second. It left a sour taste in your mouth and lead to plenty of compilations detailing the repetitiveness of it. Better luck next year, eh?

Nintendo Is Back, Baby!

The boys are back in town, motherfucker. Thanks for keeping the throne warm, everyone else, Nintendo will have it back now. They’ve killed it. New Metroid? Fuck it, have two. New Kirby? Right you are. New Yoshi? Step this way, sir. Fire Emblem? Check. Xenoblade Chronicles 2? Check. Rocket League? Check. Ever wondered what it would be like if Mario’s hat was sentient and could mind control literally anything? No? Fuck it. Wonder no more. We’ve done it. No fucking about from Reggie and the lads, they have won E3 after a number of lacklustre years. And lord above is it good to have them back.

Sony’s Golden Run End

Over the past few years, Sony has reigned as king, both in a gaming sense and especially at E3. So maybe it shouldn’t come as a surprise that a company as big as them would eventually lose momentum, showcasing games that weren’t necessarily bad but weren’t anything surprising, the only exception being a Shadow of the Colossus HD remake. While showing off game-play isn’t necessarily a bad move when showing off the things that make people want to buy your console, it was definitely underwhelming to know most of the games that had watchers salivating wouldn’t be coming out until an ambiguous date in 2018. It really says a lot about the Sony conference when people weren’t discussing what was on show, rather what wasn’t there: perhaps Gamescom will deliver some sort of Death Stranding or Last Of Us II news.

What We Want From This Year’s E3

By Adam Ouakli (@AdamOuakli)

It’s that time of year again, gamers! Yep, E3 is just around the corner and this year, it’s open to the public. With less than a week to go until the biggest event of the year on the gaming calendar, we got thinking about what exactly we want to see at this year’s show.

The event is set to run from June 13^th to June 15^th but before that, we are going to be treated to press conferences from the bigger companies on the days leading up to the event. Here are the times of the presentations:

Saturday 10^th June

EA – 8pm GMT

Sunday 11^th June

Bethesda – 5am GMT
Microsoft – 10pm GMT

Monday 12^th June

Sony – 5am GMT
Ubisoft – 10pm GMT

Tuesday 13^th June

Nintendo – 5pm GMT

With that out of the way, let’s see what these gaming juggernauts are set to reveal and what we want to see them announce:

Xbox Will Show Off The 4K Scorpio

The showpiece of the weekend will inevitably be the Xbox Scorpio. No other company is revealing a new console and although we got a sneak peek at the Scorpio at last year’s E3, we expect to learn more about specs and hopefully get a release date. Microsoft has already shown us a snippet of what the console is capable of with a very short trailer of a new Forza game (which is likely to debut) but we want to see more. We want to see what its full capabilities are and what games will be released for it in glorious 4K. Perhaps Gears of War 5? Perhaps a new Halo game or re-master, perhaps not. Fans can dream.

Sony’s Main Focus Will Be On Games

Sony will be going into E3 this year without any new hardware to reveal. This means that their focus will be almost entirely on game releases. We are expecting a whole heap of games to get excited about. We know about some of the titles we expect to be showcased already: Spider-Man, Days Gone, Detroit: Become Human and the highly anticipated sequel to what many consider to be one of the greatest games of all time; The Last of Us. A new God of War game would be quite nice too. Hopefully, we’ll see trailers or even gameplay for most if not all of these titles.

What Games Do We Want To See

We can expect a Destiny 2 trailer and a Call of Duty WWII trailer. Fingers crossed that Activision will have some gameplay to show us from CoD WWII. If we’re lucky we might even get a sneak peek at some multiplayer.

Hideo Kojima’s Death Stranding will most likely make an appearance. We have already seen a short trailer of the game but we hope that there will be some new gameplay to show off. After all who doesn’t want to see some more of Mads Mikkelsen and Guillermo del Toro?

Another game some of us desperately want an update on is the Final Fantasy VII remake that was announced at E3 back in 2015. It hasn’t been long since Final Fantasy XV was released but Square Enix cannot tease fans on such a matter. This is serious stuff. We want that FF7 remake and we want it now.

Some of the bigger announcements will be coming from the likes of EA, Ubisoft and (we hope) Bethesda.

EA will inevitably showcase its yearly football instalment FIFA 18. A new Need for Speed game will also most likely be showcased. EA’s most hyped unveiling will be Star Wars Battlefront 2. After a disappointing 2015 revamp of the old classic, from what we’ve seen already, the second instalment will include different generations, and, wait for it, single player. Finally. We weren’t asking for much.

Nintendo Will Have To Amp It Up This Year

Nintendo will have to unveil a lot of exciting things this year to keep fans interested. It’s been just over 3 months since the Nintendo Switch was released, and fans are itching for new titles to be announced with a very limited line-up so far. We’re looking for new exclusive games like a new Mario game; in particular, we expect to hear more about Super Mario Odyssey. Fans of Nintendo will be hoping and praying that a new Metroid game will be unveiled. We’ll be holding our breath. We probably shouldn’t though.

E3 Disappointment For Pokémon Fans?

Pokémon fans who are expecting a big announcement at E3 will probably be disappointed. Nintendo broadcast its yearly Pokémon Direct on Tuesday which promised a ‘big announcement’ which left fans wondering what it could be. Could it be a new game in the series for the switch? Could it be the rumoured Pokémon Stars after the release of Sun and Moon last year?

Wrong and Wrong. Two of the series’ classics, Pokemon Gold and Silver will be coming to the Virtual Console on the Nintendo 3DS store for download in September. Nostalgic? Yes. Exciting? Perhaps a little. Ground-breaking announcement? No.

We will be seeing two new Pokémon games, however. Announced along with Gold and Silver were two new additions to the 3DS: Pokémon Ultra Sun and Ultra Moon, featuring new story-lines and Pokémon but still set in Alola. Kind of like when Pokemon Black 2 and White 2 followed on from Black and White.

Oh yeah, Pokken Tournament is also coming to Switch. The Pokémon fighting game, until now only available in Japan, will be released on Nintendo Switch on September 22^nd.

Nintendo’s presentation last year was a bit underwhelming despite showing off Zelda: Breath of the Wild so we’re hoping they do a bit better this year.

Ubisoft Will Show Off Some Big Titles

Ubisoft could potentially steal the show this year in terms of unveiling new titles. A new Assassin’s Creed trailer or demo is expected along with a more detailed look at Far Cry 5 which looks like it could be the best Far Cry game to date. We’ve already been treated to a trailer of the new Far Cry but a better look at it and possibly some gameplay could make it one of the most exciting showcases of the weekend. Also, remember that South Park game that’s been shown off the past two years? You’d be forgiven for not due to the constant delays that The Fractured But Whole has recieved but with a firm 2017 release date, expect to see Ubisoft show a lot of gameplay off, or at least some sort of cinematic trailer. Let’s just forget that Mario-Rabbids crossover, okay?

Will Bethesda Deliver?

From this year’s E3 I want one thing. One simple thing. I want an Elder Scrolls game. Prey is fine. Quake Champions is okay. They may announce a new Wolfenstein game, good. But what we all want is another Elder Scrolls game. Please, Bethesda?

Game Review: Friday The 13th (2017)

By Liam Menzies (@blnkclyr)

A heavy sense of dread filled every inch of my body. As I stood still in the room, haunting and chilling sounds echoed around, the sheer darkness engulfing the screen making everything far more fearful than I had anticipated. With one foul swoop, my misery was brought to an end after minutes of excruciating waiting, Jason’s face adorned on the screen.

Sadly, this wasn’t genuine gameplay from IllFonic’s Friday The 13th Game, rather the main menu that anyone unfortunate enough to play a game at launch was forced to endure for hours on end. The Kickstarter-funded project is one that has been eagerly anticipated by many with the infamous horror icon Jason Voorhees being part of gaming since the old NES days. Now, with updated graphics and such, a passionate team could finally make a solid Crystal Lake simulator that would be fun for both the masked killer and the teens unlucky enough to come across him.

Unfortunately, the end product feels more like a half-baked game than one worth the £30 it’s asking for. The first thing players will notice, that is if they can still get past the server issues that plague the game more than a week after launch, is just how off the game looks. Obviously, no one is expecting a beautiful game considering the game’s budget, £1 million is nothing compared to most AAA games that cost 100 times that, but it’s no excuse for how awful some of the characters look.

A notable one has to be Chad Kensington, one of the few characters that you’ll remember due to how laughably bad his animation is during the intro, his jaw wide open like he’s just discovered the slam tent at T In The Park. When a game is trying its very best to be a scary experience, it seems detrimental for the plastic models to take you out of the moment.

Graphics don’t make a game, though, so it’s worth inspecting the gameplay of Friday The 13th, one area where both the game’s best and worst elements lie. As you may expect, you get to jump into the sludgy, swamp water filled boots of Jason and take on the role to kill all the counsellors in a set amount of time.

The asymmetrical nature is one that should offer a fair amount of challenge while also making things fair though this isn’t usually the result. More often than not, counsellors will find themselves glitching onto trees or other objects (God knows why they didn’t include a jump button to help with traversal) while running away from Jason who, without a moment’s notice, can zoom right next to you and choke you to death or some other visceral way. While these moves are just as cheesy as they are gruesome, finding yourself cheated by the game makes it more enraging than it does entertaining.

Speaking of Jason though, IllFonic have done a good job in making a simulator of sorts. Your abilities don’t feel slapped on for the game’s sake, rather tieing in well with the subject matter, much like the aforementioned zoom mechanic which explains why the horror villain so often pops up everywhere both in game and film.

The most fun moments occur when Jason and the counsellors meet, usually with the latter stuck in a cabin while Jason waits eagerly outside. With headphones on, the chilling music and wonderful sound design applied to Jason’s movement and actions do evoke a great sense of dread that leave you wishing the game would do this regularly.

Sadly, you’ll find yourself rummaging through drawers more than you will running for your life which becomes rather monetonous. On top of this is just how downright buggy the game is: doors sometimes don’t close, windows often dissapear and perks nine times out of ten don’t work, making all those CP (the game’s currency) you spent pretty much worthless. One glitch occured during a game between friends where one player, after exiting a tent, ended up floating in the air and onto the huge house beside before twerking on top of it, leaving the Jason in the game frustrated. While it was hilarious, being on the receiving end isn’t and with the price being rather steep, it’s no wonder many are angry that they’re getting a game that isn’t complete.

On top of that, many have complained of Jason being overpowered and with games lasting up to 20 minutes, having to watch other players hide for 10 minutes in a cupboard never gets any less dull, something that could be negated with games being shorter, forcing players to hurry up with their escape plan while encouraging Jason to do his job more efficiently.

It wouldn’t be fair to say there’s been no effort put into Friday The 13th, rather the team have tried various things with mixed results rather than focusing on a few and getting them bang on. While it’s more out of necessity than choice, a private game with you and seven of your friends is undeniably fun if you make sure to focus on having a laugh than genuine horror but that would only really pass if the game were free. Unfortunately, that’s not the case and as it stands, Friday The 13th is a confused mess that’s few glimmers of real, scary fun can’t help to iron out its flaws.

4/10

TOP 5: Scariest Video Games Of All Time

By Liam Menzies (@blinkclyro)

While horror films are all well and good at sending shivers down your spine, there’s a certain edge video-games have always had over them: interactivity. When you’re watching a movie and it’s all getting too much, just covering your eyes with your hand is enough to help make you feel somewhat safe. Pick up a controller and stick on a horror game however and you’ve got no other option but to traverse and encounter whatever hellish environments and creatures it has to throw at you, less you find yourself stuck in the same place for all eternity. What follows is a list of games that not only gives Hollywood a run for its money but solidifies gaming as the one stop shop for proper horrifying entertainment: readers beware, you’re in for a scare.

(And remember, if there’s a game you find terrifying that isn’t included then tweet me @blinkclyro and I’ll consider doing a reader feedback follow up piece)

Silent Hill 2

Let’s start things off with a PS2 classic that has stood the test of time. Despite the series having several hit or miss sequels as well as having its own abysmal big screen adaptation; Konami’s sophomore effort was its pinnacle, managing to combine great storytelling with even better character design. As you find yourself walking anxiously through the titular town as James Sunderland, arriving there in search of his deceased wife, you’ll find yourself dreading every step through the mist infested location. Featuring undoubtedly one of the creepiest video game villains of all time in the form of Pyramid Head, no need to imagine he’s exactly what you think he looks like, as well as some devilishly tricky puzzles, it’s ironic how much you’ll love spending time in a town full of such horrors.

I Have No Mouth, and I Must Scream

While by no means recent, having been released back in 1995 almost 30 years after the short story that it is based on was published, I Have No Mouth, and I Must Scream manages to create fear in the same way shows like The Twilight Zone mastered all those years ago. Following the tale of the last five humans on earth being punished by a self-aware super computer, the horrific torture and subsequent attempt to escape manages to flood with dread from every pore. Touching on subjects like rape, insanity, paranoia and genocide, the evil and good choices you are able to make adds another layer of horror to this already petrifying old school gem.

Dead Space

In space no one can hear you scream though anyone unfortunate to be living with you will once you play Dead Space. Set in, surprise surprise, space, you take on the role of ships engineer Isaac Clarke who is sent in to investigate a distress signal on the USG Ishimura with his crew. As things go to shit from 0-100, you’re left to fight your way through the ship against some of the most ghastly monsters you’ll ever come across, who have a nice tendency to rip your limbs off, as well as finding audio logs along the way that shed light on the dark and menacing history of the Ishimura prior to your arrival. Developed by Visceral Games, the death animations are aptly gory and will be sure to etch themselves into your nightmares, as will every waking second the decent sized campaign will offer.

Bioshock

Going now from the heights of space to the deep trenches of the sea, Bioshock starts off mysterious and never stops making you second guess. Taking place in the underwater city of Rapture, you find yourself arriving a bit late to the party as everything has, to put it simply, gone to shit. The once prosperous utopia has become a grizzly bloodbath with the inhabitants becoming deranged and you unfortunately finding yourself in their way. Despite being granted superhuman abilities thanks to ADAM, a substance which scattered audio logs will inform you about, you never feel truly safe in Rapture, especially not after your first encounter with a Big Daddy. A huge hulking creature with a massive drill for an arm, you can either build up the courage to fight or, sensibly, flee. Crying while doing so is optional but recommended.

Until Dawn

To finish things off we have a 2015 surprise hit going by the name of Until Dawn. Essentially a choose your adventure style game but with a horror twist, Until Dawn is full of all the tropes and clichés you’ve came to love from your favourite slasher films which all manage to cross the line between tribute and knock off. With every choice you make affecting the chemistry between characters, all tremendously performed by some top class actors such as Mr Robot’s Rami Malek, you can very well end up finishing the game with every character six feet under. Quick reaction times, good intuition and a lot of courage is what will help you conquer what these snow drenched mountains are packing.

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