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From Courtney Love to Ariana Grande: Music’s Misogynistic Blame Game
In a post Me-Too environment, the attitudes of male-musicians and the accompanying press has been put under a new lens. Beth McLeish explores how both parties are guilty of turning a blind eye and pointing a finger at the wrong people.
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Drenge embrace the weird and uneasy on Strange Creatures
The English rockers indulge their New Wave influences as their sound grows more diverse on the group’s excellent third album.
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Olivia’s 20 Best Films of 2018
Olivia dives deep into the obscure and the big hitters that made 2018 shine.
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sabrina is not in this chat Are LA’s Freshest And Sharpest Trio
Bassist Maddie Calderon discusses the surreal elements of touring as a newer band, the group’s songwriting process, and the fresh wave of experimental acts coming out of LA.
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FIDLAR Are Sillier Than Ever On “Almost Free”
FIDLAR’s latest output sometimes hits the sweet spot but sadly the rest is silly, cringy and a bit bland.
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Talking About New-Age Hip-Hop with LaLion
With criticism about the new wave of hip hop being rife, Sanjeev Mann chats to Seattle rapper LaLion to see what the conversation is like within the bubble.
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Deerhunter Never Lose Sight of Their Identity on “Why Hasn’t Everything Already Disappeared?”
Atlanta indie veterans Deerhunter have kicked off 2019 with their much-anticipated comeback album after a relatively quiet few years by their prolific standards. The band, led by cult figure Bradford Cox, amassed a large underground following after a consistent string of stellar releases ever since their 2007 full-length studio debut Cryptograms. From there, the band went…
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Oliver’s 365 Album Challenge Weeks 2 & 3: Pope Of Reviewtown
Continuing to regret the choices that led him here, Oliver Butler has a bumper 14 album special for you all!
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The Twilight Sad keep it brilliant with IT WON/T BE LIKE THIS ALL THE TIME
After a long break, Twilight Sad continue to battle their demons in inventive new ways.
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