The Black Keys aren’t exactly new to the music scene. In their career that has spanned 13 years, Dan Auerbach and Patrick Carney have released 7 albums that have gathered praise from critics and rock fans alike, most notably their 2010 release Brothers which brought the duo a lot of commercial success as they were now a grammy winning household name. Have the Ohio boys managed to continue their golden run with Turn Blue or has the success finally came to a halt?
One thing that you can rely the Black Keys delivering the goods on is production values and Turn Blue isn’t any different. Co-Producer Brian “Danger Mouse” Burton returns to lend a helping hand after assisting on El Camino and Brothers and his involvement really shows, managing to use the band’s blues rock canvas and fine stroking every detail that adds to the artistic brilliance of this album. This isn’t just a one man effort like it may have been back when the band started off as Auerbach and Carney are well regarded producers themselves with Dan assisting the likes of Lana Del Rey while Patrick has helped with lower profile bands like The Sheepdogs. You’d expect too many producers meddling with the sound to spoilt it but it does just the opposite.
After 8 albums, you’d expect Auerbach and Carney’s quality song-writing and talent to slip somewhat but you’d be wrong. The title track manages to highlight Auerbach’s falsetto voice’s finesse which prowls after Carney’s pitter patter drums which help to create a song that’s large in scale and one that needs to be listened through earphones, as advised by the duo, to really experience every fine detail that it captivates. Fever, the record’s first single, has an almost cyborg sounding background noise at the start and the rest of the track is just as interesting, showing the duo’s funkiness and an organ melody that once you’ve heard, you’ll fall in love with instantly. In Time features some ghostly vocals that are weirdly seductive sounding at the same time, as if Patrick Swayze somehow made his way onto the track. One of Turn Blue’s highlights has to be opening track Weight Of Love that has an intro so reminiscent of Pink Floyd’s Speak To Me/ Breathe that you can see the 70’s influence escaping from your earphones. At 7 minutes long, it ‘s dangerously close to overstaying it’s welcome but its absence would definitely be one that would be missed.
Other critics, I’m looking at you NME, might complain that Turn Blue isn’t like the band’s previous outings but when an alteration of the formula sounds as funky, psychedelic and overall amazing as Black Key’s latest record is, is that really a bad thing? The duo’s golden run is still continuing and at this rate, it’ll be one to make Dorothy herself jealous.