From Courtney Love to Ariana Grande: Music’s Misogynistic Blame Game

In a post Me-Too environment, the attitudes of male-musicians and the accompanying press has been put under a new lens. Beth McLeish explores how both parties are guilty of turning a blind eye and pointing a finger at the wrong people.

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Drenge embrace the weird and uneasy on Strange Creatures

The English rockers indulge their New Wave influences as their sound grows more diverse on the group’s excellent third album.

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sabrina is not in this chat Are LA’s Freshest And Sharpest Trio

Bassist Maddie Calderon discusses the surreal elements of touring as a newer band, the group’s songwriting process, and the fresh wave of experimental acts coming out of LA.

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FIDLAR Are Sillier Than Ever On “Almost Free”

FIDLAR’s latest output sometimes hits the sweet spot but sadly the rest is silly, cringy and a bit bland.

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Deerhunter Never Lose Sight of Their Identity on “Why Hasn’t Everything Already Disappeared?”

Atlanta indie veterans Deerhunter have kicked off  2019 with their much-anticipated comeback album after a relatively quiet few years by their prolific standards. The band, led by cult figure Bradford Cox, amassed a large underground following after a consistent string of stellar releases ever since their 2007 full-length studio debut Cryptograms. From there, the band went…

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The Twilight Sad keep it brilliant with IT WON/T BE LIKE THIS ALL THE TIME

After a long break, Twilight Sad continue to battle their demons in inventive new ways.

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Top 50 Albums of 2018

Remakes, revivalism, rage and rising stars: here are the albums that made 2018 shine.

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