3 Reasons Why Reading & Leeds’ Lineup Is A Disaster

by liam menzies (@blnkclyr)

You know the drill by now: January comes and the musical drought is avoided thanks to an abundance of festival announcements, the big dogs like Primavera and Reading & Leeds dropping their line ups and provoking a huge response in the process. While the former has been analysed and drooled over, there’s been a choir of cricket chirps and tumbleweed drifting as we’re yet to see any Reading & Leeds announcement, to the point where sites like ourselves are doing the work for the organisers and chiming about our predictions.

Thankfully though, R&L have a sense of humour and this morning had a jab at the dying meme economy of fake billings, posting the below lineup: 

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Wait…sorry, it turns out this is actually the line-up? Aw for f-

1. Headliners are (mostly) shite

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Let’s try and figure out why this billing is so tragic which no doubt comes down to the headlining acts. Now, if you were to get an alt-rock band that had prominence in the noughties who are even more relevant now than they were then, Paramore would have been the dead ringer especially considering they co-headlined just a few years back. Yet, somehow, the folk (?) over at R&L seem to think that both Fall Out Boy and Panic! At The Disco are far better choices (see also: acts that haven’t released anything worth mentioning in the past 5 years).

In addition to this, the choice to pack Kendrick Lamar alongside PATD is almost insulting considering the former would be able to bring in an abundance of folk to the festival just by headlining. The quality of PATD‘s music is obviously entirely subjective but considering the fact that Kendrick is undeniably more popular than them and every other headliner here, it’s a bit of a total misstep from R&L.

2. The undercard isn’t much better

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Let’s get the good out of the way: it’s hard not to see acts like SkeptaBrockhampton$uicideboys and Wolf Alice on the undercard and being thoroughly happy with some of the inclusions. In addition to this, including the best boyband since One Direction on the same day as Kendrick is a smart decision to get more of those day tickets moved.

Then there’s the rest and if it weren’t for the firm 2018 at the top of the poster, you’d have thought this year’s campsite was located in some interdimensional paradox. Papa Roach? Sum 41? Holywood UndeadAn alternate timeline where Nothing But Thieves aren’t abusive and didn’t intimidate victims with legal pressure? Our opinions on the boring indie/lad rock acts on here aside (e.g Courteeners, Pale Waves), it’s hard not think that many of these inclusions occurred because the organisers were either A) frustrated over the loss of big headliner(s) B) underestimated the competition after the lack of Glastonbury this year or C) both.

3. It feels like a safe afterthought. 

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As I mentioned in the intro, R&L have put this announcement on the backburner for quite some time and now that we’ve got the lineup, it seems clear why: obviously taken aback by the quality of other UK festivals, they’ve tried to take a bit from each yet it all comes off as a bit of a headscratcher. 

I don’t have a problem with R&L not being a rock festival anymore but if you’re gonna incorporate some hip-hop acts into the formula, surely someone like Vince Staples, Earl Sweatshirt or CupcakKe would be better inclusions as opposed to going for the safest option available? 

If it turns out that I’m completely wrong on this then I take full blame but does it not feel like Kings of Leon probably got a late night booty call from R&L organisers after talks with Arctic Monkeys fell through? I’m fond of some of the Tennesse rock outfit’s work yet at the same time, I just can’t help but feel that R&L went for them just to save face, especially considering the fact that a Sunday which consisted of Arctic Monkeys, Courteeners and Skepta would be a licence to print money.

Well, that’s if you didn’t mind your entire audience calling you a goth for not liking AM.

 

Guessing the Reading & Leeds 2018 Headliners

by oliver butler (@notoliverbutler)

The only enjoyable thing at the start of any year is that festival line ups are now starting to break cover, like springtime buds shooting through the freshly tilled soil. As the low winter sun burns through the clouds, bands are added to line ups, either to the excited squeals of diehard fans, or audible gulps of disappointed punters who’ve bet their summer on this.

Me, you ask? After completely blowing my load at the Download headliners for different reasons, I’ve wanted to blow chunks at everything past that. Volbeat? Fucking VOLBEAT? Furthermore, with no Glastonbury to get wet and wild at this year, I am technically festival freelance and will be calling 2000Trees my home this year.

However, what say you, dear reader? Are you holding out on the Reading & Leeds lineup being announced? To help you out, I’ve put together a little list of who you might find topping the bill over the August Bank Holiday weekend.

Disclaimer: The probability for each act comes down to how likely I think they are to headline, something that is entirely subjective – I believe each artist here is more than capable of headlining.

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Arctic Monkeys

Well, it just has to be, doesn’t it? Every other fucking festival in the known universe has managed to bag these suave simian songsmiths as a headliner, so for Andy Copping to miss out on these boys as headliners would the biggest musical foul-up since St. Anger. It’s been five long years since AM, and most of the Arctics have kept busy; frontman Alex Turner dicking about with Miles Kane in the Last Shadow Puppets, Matt Helders has been dicking about with Iggy Pop and Joshua Homme in Post Pop Depression, so all in all, a lot of dicking around has been done since AM and their 2014 headline slot at R&L.

With a whole plethora of festival dates announced for AM, plus constant tongue cluckings that new material is but a hair away from being released, don’t be surprised if the Monkeys take to the coveted Main Stage Sponsored by Tuborg – Liquid Soundtrack to the sound of a new album. Do bear in mind though that the boys have already confirmed their festival dates for 2018 and R&L is weirdly absent though this could merely be a case of keeping things under wraps for an announcement extravaganza. 

Probability Rating: Andy Copping never usually misses a trick, so for him to let AM slip by would be a huge surprise. 8/10

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Guns ‘n’ Roses

The last time GnR headlined the Carling Weekender, it went pretty fucking wrong, pretty fucking quickly. A waylaid Axl Rose showed up some thirty hours after stage time and then incited a riot after they cut the power on him. However, reunited with Slash & Duff, things seem to be a lot smoother, and the ‘Not In This Lifetime’ tour seems to be the show of a lifetime. Guns are already headlining Download this year, but big mad Andy knows that booking this band is a licence to print money, and big mad Axl knows that this tour is a licence to print money. It’s a match made in heaven!

Considering that many people’s festival plans have been cemented, R&L needs to bring in some big marquee names to try and get day punters coming through the door, and a line up consisting of either GnR or Arctic Monkeys, or both, could be enough to tip the scales for a lot of people.

Probability Rating: Quite high, but should still be considered an outside bet. 7/10

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Paramore

Rumour has it that we’ll see a complete mirror image of the 2014 lineup at the top, minus Blink 182, and few bands are more deserving of top billing than Paramore right now. After Laughter was a smash hit, and they’ve been wowing UK arena crowds in 2018 already, so for them to carry that momentum forwards into an August headline slot would be of no effort at all.

R&L also needs a strong, female-fronted headliner too. Too many festival lineups these days are a boys club, and to overlook such a solid headliner as Paramore would be beyond the pale, you hear me, Copping?! Beyond the pale.

Probability Rating: 2014 was a good year, Donald Trump was just a television sex pest instead of a sex pest who could nuke Korea. Good times, lads. 9/10.

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Queens of the Stone Age

Are QotSA still cancelled? Joshua Homme kicked a girl in the face which is an objective dick move, but I genuinely think he needs some help to be less of a cunt his whole life. Either way, with the rumour being that we’ll get a mirror image of 2014, QotSA are in pole position to headline the festival, instead of a co-headline spot with Paramore, and cancelled or not, Villains was a world-beater of an album.

Further to this, Queens are holding a little festival of their own in Finsbury Park, featuring them, obviously, Iggy Pop, The Hives, Run The Jewels and many more! I see a lot of promoted ads for it, so I don’t think it’s sold or selling out. The Hives though, and Iggy Pop.

Probability Rating: 2014 was a good year, we’d not yet gone full Tory, instead of a full Tory that’s likely going to drive us off a cliff. Good times, lads. 9/10

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CHVRCHES

ALL CAPS! CHVRCHES are clearly a new band, because they’ve had to resort to alternate vowels to find a new band name, but since their debvt they’ve been vnstoppable, with Lavra Mayberry’s soothing silky voice settling like fresh snow on their ethereal beats. With a new album on the horizon, it’s a risky business to promote anyone as yet untested up to the headline scene, but nothing ventured, nothing gained. Get two veterans, like AM and GnR for instance as the ‘safe bets’, then give CHVRCHES the Saturday slot to let them spread their wings.

We gave Biffy & Foals the same chances in recent years, let’s move another great British band up the ranks now.

Probability Rating: A woman?! Headlining MY festival?! It’s more likely than you think. 6/10

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Metallica

YEAHEAHEAH. As covered earlier, Copping needs some serious firepower to get people coming through the gates, and who better than 2015 headliners Metallica to add that star power? Metallica sell arenas out worldwide and could sell a day at Reading & Leeds out with the first bar of Enter Sandman. Metallica played an arena run in 2017, but haven’t headlined a UK festival since R&L in 2015.

I’d had them as surefire Download headliners this year, but as per usual, I was wrong. Metallica are metal, yes, but their uber-corporate image has allowed them to transcend the heavy metal label & become mainstream darlings. Do NOT count this band out.

Probability Rating: I’m pretty sure I’m just booking the lineup now. 6/10.

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Wolf Alice

Much like CHVRCHES, Wolf Alice are new blood, mere wolf cubs than big adult wolves, but have absolutely set the world on fire since their debut. Visions of a Life was one of the best albums of 2017, and Ellie Rowsell’s screams would gladly rock the foundations of the Main Stage Sponsored by Volkswagen – Liquid Soundtrack to its very core.

Same principal as CHVRCHES, sandwich them between two heavyweight veterans, get people along for the weekend, let them spread their wings and prove their worth on the main stage. Nobody ever got famous for being careful.

Probability Rating: It’s a good concept, getting two heavyweights, selling people into weekend tickets and give a young’un a chance, which is why it’ll probably never happen; 5/10.

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Royal Blood

Now, there IS an outside chance that could come true. Sold out arenas across the world, two hugely popular albums, Glastonbury sub-headliners, which is basically your ticket to headline any other festival, there’s no barrier to the Brighton two-piece taking the top bill.

Setlist wouldn’t be a problem, as their UK arena setlist was essentially the first two albums but slapped like all hell. You’d be an absolute sausage to rule out these boys taking the Sunday or Friday headline slot.

Probability Rating: I know you hate them, but you can’t hate them as much as Andy Copping loves money. 7/10.

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Lorde

Another outside bet, but if two juggernauts were to top the bill, rolling the dice on someone like Lorde could pay dividends. Plus, if you end up getting two male, rock headliners, getting a female pop sensation could offer balance and something other than a rock band on one of the nights. Melodrama was a huge, huge album & she headlined the Other Stage at Glastonbury last year but curiously only did a small hall/academy tour of the UK. If you’re good enough, you’re old enough is the saying, and Lorde is more than capable of taking a headline slot.

Probability Rating: Maybe this time I’ll remember to get fucking tickets. 5/10

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Chase and Status

Genuinely not the stupidest festival rumour you’ll hear this year, Chase & Status sub-headlined to Eminem in 2013, and have their new album, Tribes, just dying to be played. With a rock-heavy lineup, Chase & Status could be the tonic in the gin that this lineup needs, with international clout, an absolute armful of hits and guest stars, it’d be madness to rule out the kings of drum & bass this August.

Probability: Actually not a bad shout, well done me. 7/10

See also: Pendulum; that’s a 2/10 chance, but have that comeback clout behind them.

Festival Review: TRNSMT Day 2

Day 2 baby! If we’re being totally transparent, today is by far the weakest of the weekend but that doesn’t mean that there isn’t anything worth seeing. Let’s have a look and see how Saturday of TRNSMT treats us.

Vistas

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A band that we’ve covered extensively since they first came onto the scene with their hot indie rock single Sign Language, Vistas were oddly low on the King Tuts bill considering the success and crowd they have accumulated. Starting off with the aforementioned breakout track, the Edinburgh pop-rock outfit had the crowd chanting and moshing along to their catchy infusion of noughties indie and their own wee touches. With the sun shining down, the band were the perfect way to start the day and with the reaction they got from the audience, I won’t be surprised to see this band become a regular sight at festivals all over the UK

8/10

Yonaka

Source: Charlotte Maishman

Going on from a band that had been on our radar for a while to one that have only just recently made a blip, Yonaka are a sweet wee alt rock four piece that made a good impression on their King Tuts stage appearance. With front-woman Theresa Jarvis jumping around, dancing and pretty much rapping at one point, there was a fuck ton of Anthony Kiedis charm radiating off the band – an interesting act with a fuck ton of potential. If you didn’t know then you know now.

7.5/10

Stormzy

Source: Ryan Johnston

If we’re being transparent, we tried our best not to go anywhere near the main stage today: a bunch of samey, indie rock bands that seem to do more harm than good to the genre they claim to care about so much. Stormzy was on our must see list though and boy, he somehow still blew our expectations out of the park. The energy of a cheetah and with the same instinct, he put on the show of a lifetime and managed to convert the sceptics in the crowd. There was no moment to catch your breath bar Cigarettes and Cush and even then, most of the crowd were singing along in typical festival fashion. Expect to see him make an appearance on our Best of TRNSMT list.

9/10

The Van T’s

After the classic festival trope of losing and then searching for your friends for nearly an hour, we made our way back over to the King Tut’s stage for what would sadly be the last gig of the day for myself (stupid cold). Thankfully, The Van T’s did enough to leave everything on a high note with their sugary surf-rock/pop musings doing enough to keep the sun out and the good times flowing. While they might not have done enough to change the minds of sceptics, they more than certainly affirmed their reputation in the minds of many as one of the strongest up and coming acts Scotland has to offer.

7.5/10

The LaFontaines

 

With nearly a decade’s worth of experience, the LaFontaines had a setlist to suit most people. Fast, dancy songs like Pon De Fonts and King to slower songs such as castles, the set was sublime start to finish. Showcasing new material, the band are certain to do exceedingly well in the future. – Gregor Farquharson (@Gregoratlantic)

8/10


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Thoughts On: Coachella 2016

There’s an ongoing joke about the cleanliness at Coachella: compared to the rugged, filthy conditions that music lovers at UK festivals thrive in, the California located event is the aftermath of a cillit bang advert. This, in addition to the near soulless crowds, results in people brushing off Coachella as nothing but an overhyped fashion show that also happens to have acts playing there.

That’s where this post comes in. Whilst I’d love to jump on the Coachella slagging bandwagon, it would be unfair to forget the fact that the festival has some of the best acts in the world performing at it, year in, year out. What follows is a list of some of my favourites from this first weekend that should, hopefully,display the diversity the festival has to offer.

Run The Jewels

My hands down favourite moment of the entire festival, Run The Jewels managed to steal the show despite performing early in the afternoon. Not only did hip hop heavyweight NAS come on stage to perform with Killer Mike and El-P but MOTHERFUCKING BERNIE SANDERS INTRODUCED THEM ON STAGE. Who says socialism and rap can’t be friends? (Well no one but I’m trying to pad this out as much as I can.)

Foals

Was I really gonna pass up the chance of talking about Foals? Even in the face of severe technical issues, a broken PA is gonna do all sorts of damage to your sets quality, the band still managed to get the crowd going. Just look at the image above: attendees helping someone crowdsurf? Who’d have imagined it! Any worries about Foals not deserving that headline slot at Reading and Leeds can be laid to rest.

Death Grips

 

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A video posted by Jasmine Bahremand (@dogluver007) on Apr 18, 2016 at 2:05am PDT

It isn’t only an honour but a privilege to be able to see Death Grips perform live. Not many can claim to see the experimental hip hop act play their deafening discography in person and the audience at Coachella were aware of this, documenting the night which allowed for some clips of Hacker, I’ve Seen Footage and Hot Head to surface online. Don’t watch any unless you want to be left green with envy.

Courtney Barnett

Everyone’s favourite Australian gal entertained an enthusiastic Coachella crowd with some fantastic tracks off her fantastic 2015 LP Sometimes I Sit and Think, and Sometimes I Just Sit.

LCD Soundsystem

Out of all the headliners, one act stood out as a real attention grabber (before they got confirmed for pretty much every festival on earth): LCD Soundsystem. After reuniting this year, the James Murphy fronted act put on a great show that included a touching tribute to music icon and wonderful human being/alien David Bowie in the form of a cover of Heroes. Beautiful stuff.

So what do you make of Coachella? Got a favourite performance? Let me know what you think in the comments down below and follow this blog for more news and reviews.

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Kanye West Glastonbury review

To call Kanye West the most famous/infamous modern day musician in the world would be the understatement of the year. In his career that has spanned over more than a decade, the rapper who was raised in Chicago has faced controversy on more occasions than the likes of Katie Hopkins. However nothing he has done was as seemingly controversial to the public, not even saying that aids was a man made disease, than when he was chosen to headline Glastonbury. A petition made by angry fans, most of which weren’t even going to the festival, gather more than 100,000 signatures. It all looked like this was karma, his outlandish actions and personality finally being the end of Kanye.

Then Saturday night happened.

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It was fitting enough that Kanye has been calling himself a god for the past few years when he made his way onto the Pyramid Stage as he was accompanied by a sea of lights so flashy and glamorous that it was every epileptics worst nightmare. “Throw your hands up high” Ye yelled to the crowd as he started off his set with Daft Punk infused track Stronger, resulting in some movement from the Glastonbury crowd who usually stand about like they’ve been cryogenically frozen. Stronger was the perfect song to start off this performance with lines such as “take this, haters” and “bow in the presence of greatness” showing that his trademark ego hasn’t been affected by the petition.

This was followed up by POWER, arguably the best track Kanye has ever made and the transfer from album to stage is so smooth and unnoticeable that it’s no wonder that the crowd were chanting along. “I got the power to make your life so exciting” strikes some truth when said by Kanye as he continued to belt out hit after hit, rapping his verse off Paris though Jay Z unfortunately never made an appearance though maybe that would be asking too much. Not even comedian Lee Nelson storming the stage during Black Skinhead could ruin his performance though calling Lee Nelson a comedian would be like calling myself an author. At one point Kanye stops Touchy The Sky to mutter “that’s not what we discussed in the dressing room” before jumping into a cherry picker to continue the song nearly hundreds of feet in the air.

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One thing that occurred during this performance that I wanted to talk about happened near the end. As the set ended, West said that the audience were watching “the greatest living rockstar on the planet”. He’s not wrong for saying that seeing as he’s outlandish, controversial, complex and admirable as all hell, the traits that make a truly great rockstar. I saw some folk point out the hypocrisy of folk like myself going mental over Alex Turner’s rock and roll speech but approving of what Kanye said. No offence to Arctic Monkeys but Alex Turner is a white guy who plays a guitar and sings which makes him as much of a rockstar as Ed Sheeran whereas Kanye has delivered some of the most entertaining interviews that I can recall as well as actively talking out about the racism he’s experienced. Although he may not do it as well as the likes of Killer Mike or Kendrick Lamar, to see someone as high up as Kanye still stick to his morals is what gives him the right to say what he did that night.

The set wasn’t without its flaws though. Some songs such as Gold Digger were cut short whilst the song Lost In The World was dragged on for far too long while Kanye went on about why he wrote the song, revealing that he wrote it for Kim Kardashian that was hard not to go “awww” over. Also while singing Bohemian Rhapsody, Kanye showed that although he can rap tremendously, without auto tune his singing is sub par. Apart from that though my only problems were all nitpicks, such as there not being enough old stuff and I’d be lying if I said I wasn’t gutted that Hey Mama never got played. However Only One did strike a chord with me and showed West’s ability to make you feel an emotion that wasn’t just excitement.

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Tonight was more than just proof that Kanye can wow a crowd. It was proof that not only does rap belong at Glastonbury but that it’s as essential as any other genre at the festival, something that Jay Z showed 7 years ago and tonight Kanye cemented it. People may have the naive view that the genre is simply only about money and women but it’s simply not the case. The creativity that the genre allows in unparalleled and artists like Kendrick Lamar and Kanye have used it as a platform for their views on social issues which makes them both timeless and important.

To put it simply, Kanye made those 100,000+ folk who signed that petition look like idiots tonight.

BBC Radio 1’s Big Weekend 2015 Review, 23/05/2015 – 24/05/2015

Festival season is coming.

Soon the flower head dresses will be donned, the tents miserably pitched up and the cliché face-paint put on by every guy in sight (happy/sad to admit I did the same at T last year). With Glastonbury just under a month away, the BBC have got music fans hyped for the season ahead with their annual Big Weekend event which graced Glasgow last year. This year it was Norwich’s turn and god did they luck out, with what is probably the best line up the event has ever had. Unfortunately I never got tickets but this didn’t stop me from enjoying the coverage provided by BBC Three from the comfort of my bed. Instead of giving you a Top 10 style list a la WatchMojo, I’m just gonna give my thoughts on the different acts I managed to catch over the weekend. As always, this is my own opinion and my favourites and least favourites are gonna differ from yours. Regardless, let’s get started.

Foo Fighters
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ight let’s get something out of the way first: I’m not a fan of Sonic Highways. Maybe it was the hype, maybe it was the fact it played it too safe even though it’s the band’s eighth record, it just didn’t sit well with me. However, as soon as Dave Grohl and co. came on stage, as soon as he welcomed the crowd and started playing the opening chords to Everlong, none of that mattered. It was like being transported back to the very first time I listened to their greatest hits compilation and I loved every second of it. This feeling lasted through the entire set, a true testament to the band’s ability to perform. Watch out Glastonbury, you’re in for a treat.

Muse
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Saturday’s main stage headliner were none other than Muse, a band who, like Foo Fighters, have been a favourite of mine for as long as I’ve been a fan of music. However just like Foo Fighters, their recent music has been rather disappointing in comparison to their older material but regardless of the fact that they’ve nearly been around for as long as I’ve been alive, they still know how to put on a show. Their setlist showcased some tracks off  upcoming album Drones with Psycho being a highlight, accompanied by a drill sergeant appearing on a screen behind them yelling as if he was saying to the crowd directly if they were ready. Closing track Knights Of Cydonia was a real treat for fans, regardless if they were new or old, leaving those who attended satisfied as well as excited for June 8th when the band’s new album drops.

Alt J
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I’ll admit now that I was worried about this one. I love Alt J to bits, An Awesome Wave effortlessly making its way into my favourite debut albums list that’s unofficially written in my mind. However the odd vocal style and even odder sound that the band have has always had me questioning whether or not it can transfer to the stage well. Thankfully after the Miley Cyrus featuring Hunger Of The Pine and the even more mesmerizing Fitzpleasure, my worries were laid to rest. As off as some of the vocal performances may have been at times, to me it added to the band’s unique charm. Predictably enough the Leeds boys finished with Breezeblocks, a crowd and fan favourite which is just as much an anthem as you’d expect, resulting in a surprisingly sweet set by the band.

Jamie T
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t’s odd to think that Jamie T is actually back. For 4 years after his sophmore album Kings & Queens he just disappeared, fans left wondering what had happened to him and if he was ever gonna come back. Unbeknown to fans though, he was crafting 140 songs with only 12 getting hand-picked for 2014’s critically acclaimed Carry On The Grudge. The luck has continued for the Wimbledon boy with a set of festival appearances lined up, Big Weekend being the lucky one to host him first and he didn’t half arse it. There’s not much I could say that could do his performance justice as it was hands down my favourite of the weekend but I’ll try my best. Sheila, an indie anthem in its own right, had the crowd chanting along as Jamie controlled the crowd without any effort needed and this continued during the remainder of the set, especially during If You’ve Got The Money. There was some quiet moments during the atmospheric Don’t You Find as well as Emily’s Heart, both highlighting the natural skill Jamie T has as a songwriter. This performance showed why his albums will no doubt stand the test of time and why Jamie T is one of the most exciting and talented acts Britain has to offer.

Taylor Swift
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Confession time here: I used to hate Taylor Swift. Maybe it was cause I was 15 at the time and at that age you tend to jump onto whatever seems cool at the time, as proved by the Gangnam Style phase which was a dark time for us all. In my defence though I think it was because I didn’t like the style of music she was going for at the time with her country sound which in itself is a pretty Marmite genre. However her opening track We Are Never Getting Back Together was a glimpse of things to come when it was released on 2012 album Red and I’m not ashamed to admit how much I enjoyed it. Other tracks off last year’s surprisingly great album 1989 went down well with the crowd and if this performance was just Swift getting prepared for her BST gig next month then we should all be really excited.

Slaves
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Fun little story: back in November I was off to see Biffy in London and as such I was excited to say the least. When I heard that a little Kent duo called Slaves were one of the support acts, I didn’t think about it twice. Who would have known they’d become one of my favourite bands at the moment and take the music scene by storm. Their performance on the In New Music We Trust stage was a testament to the sheer power the duo can deliver, enough to put Royal Blood to shame. From White Knuckle Ride to closing track Hey, Slaves kept me entertained via the TV more than most acts I’ve saw live. The stories that vocalist Isaac told alongside bandmate Laurie had me laughing as well as intrigued, something that a lot of acts only wish they could do. If you get the chance to see this band live then do not miss out, you’ll heavily regret it.

And more…..
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I managed to watch a lot of acts over the weekend but the 6 above were my stand outs favourites. There were some other great artists there such as Fall Out Boy whose golden oldie tracks managed to outweigh the mediocre new ones. Florence + The Machine as always put on a stunning performance packed to the brim with quality that is now expected of them and will surely come in handy at Glastonbury. Lastly The Vaccines  put on a rather good performance as well, nicely tying into the release of their album English Graffiti today. BBC’s Big Weekend was well worth watching and with even more festivals on the way, music fans have more than enough entertainment sorted for the summer.

What were your favourites acts? Did you have a least favourite? Comment below or tweet me @blogclyro , thanks for reading to the end!

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