Gig Review: Miles Kane @ O2 Academy Oxford

words fae Oliver Butler (@notoliverbutler)

The last time I saw Miles Kane perform live, I was in great shape and was wearing a slim fitting paisley shirt. Fast forward four years later, I am in terrible shape and wearing a Metallica t-shirt because I’ve just stopped caring. However, four years between gigs for Miles, and he’s still in great shape as he got the O2 Academy in Oxford shaking, rattling and rolling.

I love Miles Kane, and without sounding too soppy, I’ve missed him. Colour of the Trap and Don’t Forget Who You Are were two fantastic albums, so as soon as he walked on stage with his brand new band and broke into Counting Down the Days, so many memories of Captain Morgan, the aforementioned paisley shirts and being overly handsome (that better be present tense – Ed) came flooding back as the man in leopard print went hell for leather.

Miles Kane’s studio work is good, but his live showmanship is next level; the energy that goes into every song as he bounces about the stage like a man possessed, with all eyes following him around the stage as he played through hits like Inhaler, Better Than That and Taking Over. They sounded inch perfect and studio crisp as a swelling and sweaty O2 Academy bounced around.

The whole purpose of this tour is to get him back up to match fitness and to promote his upcoming album Coup de Grace. The verdict? From what was played last night, Coup de Grace is shoring up to be a fantastic album. On Annie Mac when he was promoting the release of Loaded, he said that you’d see some Ramones influences, which had me sceptical at best. But with Too Little Too Late, you could see what he meant! It was a banger with punk sensibilities and had all the hallmarks of a classic punk track.

The vibe in the Academy was really good as well, it was an exceedingly good, hyperactive crowd, with a good mix of people. You had yer da in his patterned shirt, ready to have an evening before falling asleep by half 10, then there was the young’uns, boys and girls excited by a Saturday night spent in a sweaty room, all having a good time. The moshpits, something we always look for in these reviews, were of a good consistency, everyone was bouncy, respectful and a good clean fight was had, no eye gouging. Everyone was having fun.

A nice surprise was title track Coup de Grace, which was released as a Record Store Day exclusive, but as is the way, soon found itself on YouTube. Maybe it’s because it was a low quality rip off of a vinyl, but I didn’t really like it, especially after how enjoyable Loaded was. However, taking it from the studio to the stage, Coup de Grace found its feet as a funky, dancey track. Cry On My Guitar was also very enjoyable with its very lounge-esque feel to it, something nice and chilled.

 

This becomes even more interesting considering Miles’ best pal Alex Turner, whose band you MIGHT have heard of just released an album with very similar concepts. Perhaps they’ve been sharing notes, and it’ll be interesting to see what the mix is like on CDG, considering we’ve had two chilled tracks with Loaded and Cry On My Guitar, but we’ve also had two dancier track with Coup de Grace and Too Little Too Late. However, all signs are pointing to the fact that Miles Kane is gearing up to release a fantastic album… at some point this year. Maybe, like, tomorrow would be good?

One criticism of this gig could be is that it was too short, around fifteen songs long and almost exactly an hour on the button, but with such a rich catalogue like Miles’, it’d be impossible to not want more from a setlist, as we were missing Kingcrawler, First of my Kind, Tonight and Bombshells to name a few. Me? I’d have had Kaka Boom, The Competition and Caught In The Act on the setlist as well, so perhaps it was better that he kept it short and sweet, rather than play a set that would just be finishing around now.

However, what did make the setlist was just as tantalising as what didn’t, with Give Up producing a huge reaction, that’s a really good live tune, the way the drums are used in the bridge are fantastic, gives the crowd a chance to regroup and move into the big finish. I’m also glad he played Rearrange as that’s another fantastic track, and closing the set out with Come Closer was the perfect end to the evening.

I’m an old man now, and find it hard to be swayed by people, or influenced by them, but it’s impossible for me to not find Miles Kane ridiculously cool. At the front of a sweaty room, he’s just there, dancing about with a selection of cool guitars, in a flowing leopard print shirt, a fancy pair of jeans and some boots. It’s a look that I’d happily cultivate from now until the end of time. You thought Hugh Jackman was the greatest showman? Guess again.

Maybe it’s because I was on a huge nostalgia bender this weekend, or maybe, Miles Kane is preparing for a thermonuclear assault on the music scene. Whilst nothing’s for certain, Coup de Grace could well be Miles’… er… there’s a phrase for this… it’s French, means a killer blow… nah, fuck, it’s gone.

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Oliver Butler

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