By Liam Menzies (@blinkclyro)
“You bore me, you bore me to death” screams singer and guitarist Ellie Rowsell on Wolf Alice’s comeback track Yuk Foo, the world’s first taste of new music by the band since their 2015 debut My Love Is Cool. Blowing up seemingly overnight, the band toured extensively but are back with what’s set to be their most personal record to date with Visions Of A Life. With it set to drop later next month, we chatted to Theo Ellis (bass, synths, vocals) about what we can expect from the new LP as well as the string of intimate shows they have planned for it.
Blinkclyro: Many bands seem to falter on their second album, something people call the Sophomore curse – does that worry you?
Theo Ellis: The thing we were most nervous about on this album was our personal expectations that we had on ourselves and other external factors. We looked to see what we had achieved on our first album and what we could do to improve as musicians and songwriters. When we got it to a place where we looked back at it and collectively felt proud of it as a band then the worries stop.
Blinkclyro: The two singles that have been shown off show two sides of a coin emotion wise, is that something you sought out to do intentionally?
Theo Ellis: Definitely, we’re always trying to push and show more sides of ourselves. I suppose with the lyrical content, specifically on Yuk Foo, it’s a very angry song, the angriest we’ve ever sounded. It’s a way to vent when you’re most pissed off and want to shout. Our producer was who helped us reach that really raw point – when we wanted to be aggressive or, like on Don’t Delete The Kisses, very delicate then Justin Meldal-Johnsen (Paramore, M83, Blood Orange) would help us with that.
Blinkclyro: Over the past year or so yourself and the band have been more politically active, especially with the rise of Corbyn. Is this something that’s bound to infiltrate your music and how was the reaction?
Theo Ellis: Nah, I wouldn’t say it has infiltrated our music at all. So far, with this record and our debut, we’ve not really written anything outwards in terms of social commentary or chatting about things that are happening. We just started to engage a bit more on our platform after Brexit happened since it made a lot of people realise what bad shit can happen when you don’t use your voice. The older you get, the more you start to define who you are as a person and what you stand for. There were definitely more positive people echoing our message than there were negative comments though there definitely were some. It seemed to be mainly older people, mainly men, who were saying we should keep our mouths shut and stick to the music.
Blinkclyro: You’ve got a line of intimate gigs planned, is there anything that fans should expect?
Theo Ellis: Some new songs (laughs). Nah, that’ll be the most noticeable thing but it will be a very high octane show that we’re gonna be very proud, playing some of the stuff off the new record and some of the older songs. It’ll be a fun opportunity to play in venues that we don’t really get the chance to play in anymore: expect music, bad banter and some larger if you want.
Blinkclyro: Despite being quite a fresh act, how did it feel to appear on the Trainspotting 2 soundtrack, a film series known for its iconic music?
Theo Ellis: That was insane man, the way it came about was crazy: I fell asleep and when I woke up my girlfriend was watching the trailer, I was like “sick!” when Silk popped up instantly. As soon as it was out I had about one hundred emails! The first film has such an iconic soundtrack and managed to sum up 90’s culture with all those bands so to be included in a modern incarnation was a real compliment.
Blinkclyro: Not only did you get to have one of your songs appear in a film but you also wrote some original music for the reboot of Ghostbusters – what was the experience like?
Theo Ellis: We hadn’t seen any footage, they just gave us the script of a scene to write to so we all went away, came up with our versions and the returned to collaborate on it. It never ended up getting used actually, it was meant to be a song that played on the radio but they ended up cutting it so fuck them (laughs). Nah but it was really cool to collaborate on anything creative, especially as we’re all big fans of cinema, and it broadens those creative horizons. Scoring something like that is something I’d definitely want to do again.
Visions Of A Life is set to be released on September 29th via Dirty Hit.