Touche Amore, ANGEL DU$T & Departures @ Glasgow Stereo – 20/02/2017

By Liam Menzies (@blinkclyro)

As the queue to the only Scottish date of Touche Amore‘s tour stretched around onto Union Street, it was obvious that tonight’s gig was going to be pretty special. Taking place at the intimate and claustrophobic Stereo venue, which in itself is a total juxtaposition of the lovely and well-kempt vegan cafe above, this show couldn’t have taken place anywhere else other than here.

Starting off with some homegrown talent in the form of Departures, tonight’s events were kicked off in the most appropriate way possible with a display of wonderful hardcore performances. The Glasgow guys were fairly modest as well, noting the sold out gig and saying:

There’s a lot of ye, thanks for turning up early. If you were going to turn up early anyway then sorry.

The self-professed “Scottish idiots with no gear” all seemed to be in one telepathic flow as front-man James McKean maneuvered the stage effortlessly, manage to intertwine amongst Daniel Nash, Pierre Charlesworth, Andrew Traynor and their multiple cables.


This was pretty poetic considering how easily McKean’s voice traversed through the layered instrumentals, all of which helped to present the band’s unique blend of passionate modern hardcore music with Making Maps being a particular highlight, showcasing the emotive and heartfelt lyrics Departures do so well. (On a quick side-note, Alistair Morrison may be the happiest band member I’ve seen perform live since Frank Turner: what a man).

Up next were Baltimore hardcore act ANGEL DU$T who were starkly different from the preceding support act with their “go hard or go home” attitude being an utter delight from start to finish. Manifesting all the traits of similar hardcore bands such as Turnstile, frontman Justice Tripp wasn’t lying when he said that they’d be performing some short and hard songs: the riffs came thick and fast like you had just been dropped kicked onto a motorway during rush hour and every second was absolutely exhilarating.

The crowd seemed to be utterly enthralled by the whole performance. As Tripp held the mic above himself WWE style while simultaneously putting his hand on his hip like a more intimidating teapot, you would regularly see fans jump on stage and nearly instantly forward or backflip right back off. At one point a rather psyched man jumped on top of the nearby amp and proceeded to crowd surf for about 3 yards before hitting the ground: you really couldn’t ask for anything more appropriate than ANGEL DU$T to be playing while this happened.

Then the real meat (or Quorn) and potatoes of tonight’s meal arrived . Touche Amore have solidified themselves as one of music’s most valuable acts with a golden run records wise and as they appeared on stage, the crowd was erupting to put it lightly. Flowers And You off of the band’s latest LP Stage Four began the Californian’s passionate proceedings with Jeremy Bolm’s hoarse screams acting as emotional expulsion, shaking the room with instrumental and emotional intensity. While it’s no real surprise that a tour that is supporting an album revolving around grief brought with it some sombre moments, Touche Amore really raised the bar when it comes to this realm: some tracks such as Displacement were gut wrenching anthems that had the crowd simultaneously rag dolling around the tightly packed venue while fighting back the tears.

It wasn’t just the crowd that were wearing their hearts on their sleeves. Bolm himself professed his love for the city of Glasgow, confidently saying:

Having a Belle and Sebastian tattoo, it feels awesome to walk the streets where this music comes from and to have this be our first sold out gig means a lot. We’ve played here multiple times and it’s always great.

To put it simply, Touche’s set was an intense tour de force, providing all of the feverous lyrics and straight-up fierce passion the band has for their art. As they ended their gig with a cut off Is Survived By, it was safe to say the band ended the night perfectly and sent everyone home with memories of what is sure to be one of the greatest gigs anyone in attendance will ever experience.


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Top 50 Songs of 2016

 

 

 

 

By Liam Menzies (@blinkclyro)

It’s here! Chuck those negative opinions aside as for the next week we’ll be counting down my musical highlights of the year. While 2016 was full of many negative events (US election, multiple celebrity death, suicide squad, damn daniel etc.), on the other side of the coin music was as entertaining and fascinating as ever. Hip-hop continued to demonstrate its creative power while rock and other genres revitalised themselves to provide us with some of the best singles of their respective artist’s careers.

As always we have the staple “this is my opinion” placeholder to insert before we get cracking on so if there are any songs you think are missing or should be placed higher/lower then keep in mind that this is my list. Since there are 50 tracks to go through, I’ll speed through the first 25 or so and go into a bit more detail as we reach the top 20 picks. With that being said, let’s get the ball rolling…

50. Glue 70 – Casin

49. Crywank – Love

48. Vistas – Sign Language

47. Brand New – I Am A Nightmare

46. Boston Manor -Lead Feet

45. Kevin Devine – Instigator

44. SBTRKT – Let Them In

43. Run The Jewels – Talk To Me

42. Fake Boyfriend – Bumtown

41. Parquet Courts – Dust

40. Pale Kids – Not Listening

39. Blink-182 – Cynical

https://www.youtube.com/watch?v=tC97caHUgKk

38. Weezer – Jacked Up

https://www.youtube.com/watch?v=qJOsRoY-na0

37. Frightened Rabbit – Die Like A Rich Boy

https://www.youtube.com/watch?v=es8wQcKrrhA

36. Jamie T- Tescoland

35. Hovvdy – Try Hard

34. Honeyblood – Love Is A Disease

33. Skepta – Man

32. Metallica – Spit Out The Bone

31. Young Thug – RiRi

30. Enter Shikari – Hoodwinker

29. Touche Amore – Displacement

28. Kendrick Lamar – untitled 03

27. Biffy Clyro – In The Name Of The Wee Man

26. Sweet White – Genine

https://soundcloud.com/sweet-white/genine-1

25. Joyce Manor – Eighteen

24. Death Grips – 3 Bedrooms In A Good Neighborhood 

23. Red Hot Chili Peppers – Dark Necessities 

22. Twin Atlantic – Gold Elephant, Cherry Alligator

21. Mean Jeans – Michael Jackson Was Tight

20. The 1975 – Somebody Else

Trust me, I’m just as surprised as you that The 1975 are making an appearance on this list. Whilst their latest album was a double-edged sword, only just managing to provide more killer than filler, when the band delivered something good it was really fucking good. See Somebody Else for example, a song that dabbles into the topic of modern day romance that frontman, with the hand of some vocal manipulation, executes brilliantly.

19. Charli XCX – Trophy

The ultimate pump up song of 2016, Charli XCX continues her reign as one of the most likeable female vocalists in music right now with a fantastic combination of 00’s club music and peculiar beats.

18. Radiohead – Daydreaming

Beautifully minimalistic and driven solely by piano alongside some glitzy chimes with a Jamie XX flare to them, Daydreaming was the standout track on Radiohead’s triumphant return A Moon Shaped Pool: a calm, borderline lullaby that dips its toes in fearsome waters before diving head first into them during the climax.

17. Bon Iver – 33 “GOD”

Showing off the majority of 22, A Million’s religious subtext, 33 “GOD” is a showcase of Bon Iver’s experimental take on their latest record packaged alongside the delicate rock they’ve mastered since their debut For Emma, Forever Ago.

16. Blood Orange – Best To You

Providing some of the best R&B in recent memory, Blood Orange’s Freetown Sound hit its peak four tracks in with Best To You. Featuring a stunning vocal performance from Empress Of, Dev Hynes showed off just how good he is at mixing production and songwriting together.

15. Real Friends – Mess

A pop punk song that has lyrics that manage to be fresh for the act due to being about something other than a break up?! Revolutionary! All jokes aside, the crisp production value along with a catchy as all hell chorus makes the track feel like Real Friends have been working hard on their songwriting capabilities since their debut record and, despite what they’re saying in the public eye, are making efforts to progress as a band.

14. Codist – Puddle

Glasgow band Codist came out with their debut record all the way back in January and continued to be one of my favourites throughout 2016. My personal favourite track off of Nuclear Family had to be Puddle that harks back to Blackened Sky era Biffy with some equally beautiful lyrics about “why you can feel your insides glow”.

13. Kyle Dixon & Michael Stein – Stranger Things

The shortest track by far on this list, Kyle Dixon and Michael Stein’s titular theme tune to Netflix’s surprise hit series Stranger Things is, much like the show itself, a total love letter to 80’s electronica with ominous synths lulling you into a sense of dread.

12. American Football – My Instincts Are The Enemy

Showing that the band still had what it takes to retain relevance in a genre that has long since evolved since their one and only record, American Football showed they deserve all the praise they get with their second LP. My Instincts Are The Enemy is a testament to the intricacy this band can provide with just three instruments, pulling off smooth and satisfying tempo changes and delivering beautiful lyrics as if they had never been away.

11. Schoolboy Q – Groovy Tony 

Schoolboy Q may have given us a pretty lacklustre LP in 2016 but he made sure we weren’t left empty handed with Groovy Tony, drenched in eerie production and driven by one of the most aggressive sounding flows in hip-hop.

10. Frank Ocean – Nikes

WE IN THE TOP 10 NOW BABY! The musical Where’s Waldo Mr Frank Ocean returned this year with his long awaited Blonde that kicks off with one of the strongest tracks of his career. Nikes modifies Ocean’s vocals into unrecognisable territory, delivering lines about lost ones and consumerism with a minimalistic background which needs to be listened to for it to be fully experienced.

9. Danny Brown – When It Rain

Not only did Detroit’s prodigal son Danny Brown deliver the best record of his career, arguably one of the greatest hip-hop albums in the past decade, but he managed to shake up his tried and tested sound on top of that. Much like Groovy Tony, When It Rain cranks up that ominous notch up to 11 and packs the visceral imagery to back it up.

8. Moose Blood – Knuckles

Arguably the best track Mooseblood have delivered thus far, Knuckles embodies everything the band have been great at since their debut: providing a killer hook with beautiful lyrics and vocals. While the majority of the band’s sophomore effort is far more grounded in pessimism, Knuckles seems to hit a major realist chord and wonderfully so.

7. PUP – DVP

Unlike other acts of the genre who do a lot of rocking but very little growing up, PUP manage to nail the topic of maturity on DVP which flows seamlessly on from the aforementioned If This Tour… into an even more anthemic style on record The Dream Is Over. Addressing how they handle issues, in this case getting “so drunk that I can’t speak”, as well as others telling them to grow up, the track manages to keep a positive vibe going in its instrumentals whilst juggling some of the darker lyrics on here.

6. James Blake ft Bon Iver – I Need A Forest Fire

While James Blake’s latest record was sub par at best, there was a diamond in the rough in the form of I Need A Forest Fire. Combining Bon Iver’s beautiful vocals alongside Blake’s versatile singing is a genius concept and is wonderfully executed, managing to explore the .topic of new beginnings with total ease.

5. Chance The Rapper – Blessings

It’s hard to argue that 2016 belonged to anyone but if I had to place a bet on it, my money would be on Chance The Rapper. Colouring Book was one of the most enjoyable listens of the year with bucketloads of optimism and hope in a year that very much needed it. Blessings pretty much embodies the album’s core message better than any other track does. A gospel influence is felt not only in its sound but its lyrical content: lines about redemption, fatherhood and faith are subtle with the main hook from Jamila Woods being infectiously catchy.

4. Childish Gambino – Redbone

No artist this year transformed quite like Childish Gambino. Swapping out hip-hop for funk/soul/R&B music is an impossible risk but Gambino somehow survived the transition, quality intact. Redbone shows this perfectly, displaying a wonderful use of vocoder and the aforementioned funk element that made Awaken My Love one of the most refreshing listens of 2016.

3. David Bowie – Lazarus

The loss of David Bowie was one of many celebrity deaths to occur in 2016 but was the one that no doubt hit the hardest. Lazarus pretty much acts as a foreshadowing to it all with lyrics such as “look up here, I’m in heaven” managing to evoke a tear or two out of even the most casual Bowie fan. While it may be a difficult listen considering the context, Lazarus stood out well before the passing of Bowie, providing the perfect balance of instrumentals and Bowie’s unique vocals.

2. The Weeknd – Starboy

Before we get into the top pick of this list, we have but one more track to praise, that being The Weeknd’s Starboy which features on the RnB superstar’s eponymously titled record. Featuring a backing beat that sounds like a less feisty but equally enjoyable Yeezus feature, the partnership with Daft Punk means it’s no real surprise that Starboy finds itself so high up on a best tracks of 2016 list.

1. Kanye West – Real Friends

While The Life of Pablo was an enjoyable albeit messy release, it undoubtedly features the best song Kanye West has released since Runaway. Real Friends puts Mr West in his most vulnerable position since My Beautiful Dark Twisted Fantasy as he voices his guilt regarding friends and family over a beautifully tragic sounding beat. Think Aphex Twin entwined with heartbreak. The song ends with a poignant howl that evokes the same sadness and, in a way, isolation that we have become accustomed to with Kanye’s more personal tracks. Sources say that when the track was first released, the title was missing the word “friends”. In a twisted way, it’s both a relief to hear Kanye sounding the most real he has in years whilst it’s also uncomfortable to witness the inner turmoil he’s experiencing that has only since got worse with his recent inauguration into a psychiatric ward.

 

 

 

 

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