WEE QUICKIE: Slaves – Take Control

While not the worst thing you’ll ever hear, this quickly fired out follow up to the Kent duo’s solid debut does little to reassure those who see the band as a novelty act.

By Liam Menzies (@blinkclyro)

When Are You Satisfied dropped back in 2015, Slaves found themselves sky-rocketing to fame in such a small frame of time, rubbing shoulders with musicians that the Kent duo most likely never dreamed of being able to socialise with. One such musician, none other than Mike D of Beastie Boys fame, has been dragged in along to help with the follow up to their debut record which, while providing some decent detours of the band’s tried and tested punk formula, seems to tread over old ground repeatedly.

While tracks like Steer Clear and Fuck The Hi Hat do enough to make you feel like Slaves have evolved at all since their last venture as well as managing to spice up the overly long running time of this record, too much filler and not enough killer seems to be Slave’s Achilles’s heel. Unless the band manage to seriously shake up their sound like many duos before them have then Slaves stand the chance of becoming an old relic of the early 2010’s instead the breath of fresh air many assumed they were on their arrival.

5/10

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TRACK REVIEW: Slaves – Spit It Out

Having stated that their upcoming LP titled Take Control would be “heavy and very different” to their debut, it’s no surprise how colossal Slaves sound on Spit It Out. Opening up with a broody and sinister guitar, the Kent duo don’t hesitate to turns thing up to 11 and deliver an instrumental clusterfuck that will no doubt orchestrate visceral scenes at their future gigs. While sound wise the track is very much what could have been expected from their earlier release Sugar Coated Bitter Truth, the lyrics on display are just as attention grabbing with their unapologetic, visceral nature. So far it feels like Slaves are playing things fairly safe but just like the band proved when they reached notoriety last year, they’re more than meets the eye. With Mike D of Beastie Boys fame professing that the world needs an album like Slave’s sophomore venture, it’s worth strapping yourself in on this messy, dirty hype train.

-Liam Menzies (@blinkclyro)

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Are You Satisfied? Slaves Second LP Almost Finished

After taking 2015 by storm with a “do something with your life” mantra on their debut LP, Kent duo Slaves are set to release a follow up very soon.

Apologising about the last-minute cancellation of their Hairy Dog gig, which was set to take place tomorrow (April 28th), the band said on Facebook:

we are incredibly sorry but we are having to postpone until the 12th May. We have nearly got album 2 done but need an extra week to finish it. Thanks for your patience. Promise to play some new songs and some really old ones too! Xxx

The new date will precede a whole batch of appearances Slaves have planned for this summer, including appearances at Download, T in the Park, Novarock and Reading + Leeds.

So what do you make of this news? Personally I can’t complain as Are You Satisfied was one of the best albums I heard last year so the more, the merrier! Let me know what you think in the comments down below and follow this blog for more news and reviews.

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Top 25 Albums Of 2015

It’s time.

List season. It’s odd how something with such a boring name could cause heated debate amongst many, though that’s nothing new for the internet. So as I’ve always done since 2013, I’ve compiled a list of my favourite albums of the past 12 months, ranging from heavy rock to pop to grime to rap, there’ll no doubt be something here for you. Disagree with me? Well you could always contribute to my Best of 2015 post which is coming next Thursday, just message me on Twitter or Facebook and you’ll be sorted!

I hope you enjoy this list which took far too much time to make than I’m proud to admit. So put the pitchforks down for now and let’s dive in.

25. At. Long. Last. ASAP – A$AP Rocky

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Following up his 2013 debut Long Live ASAP, Harlem rapper A$AP Rocky gets even more experimental on this sophomore album. While there’s significantly less chart gems present than his last outing, the same charm and production value can be felt on every track.

 

24. Purpose – Justin Bieber

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Time for all those awfully spelt insults and memes we made about biebs to disappear. He is back and with a totally transformed sound as those who once slated him are now praising him as tracks like Sorry are pop perfection. While his vocals might be a bit lackluster and too safe, the influence Kanye, Skrillex and co. have had on the lad has paid off.

23. Back On Top – The Front Bottoms

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While Talon Of The Hawk felt like a AAA version of The Front Bottoms’ self loathing lyric fueled sound, Back On Top feels like the beginning of a new chapter for the band. Historic Cemetery just screams Weezer and other tracks like Cough It Out are as catchy as a cold (albeit more enjoyable). A near flawless amalgamation of emo & pop-punk.

22. Every Open Eye – CHVRCHES 

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There’s no denying that CHVRCHES are one of the best new bands to come out in quite a while, breathing new life into the synth pop genre and yet again reiterating how vibrant the Glasgow music scene is. Every Open Eye is like the Empire Strikes Back for the band: more gritty, more epic but faithful to what made the band what they are.

21. For All My Sisters – The Cribs

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West Yorkshire band The Cribs might have hit out with their best album yet, full of the indie punk greatness that put them on the radar in the first place. See Pink Snow for a chaotic crescendo closer that results in another classic album for the band’s discography.

 

20. Currents – Tame Impala

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Despite constantly being compared to the likes of Radiohead for their album rock genius, Tame Impala somehow manage to merge frontman Kevin Parker’s uncontrollable love of pop and their trademark psychedelic sound to craft something truly special. A breakup album disguised as a feel good, funky gem, Currents is only as good as the sum of its parts and those parts are undeniably brilliant.

19. Sometimes I Sit And Think And Sometimes I Just Sit – Courtney Barnett

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Courtney Barnett has proved time and time again why she deserves to be put on a pedestal, despite what she might say on Pedestrian At Best. Sometimes I Sit.. has an unprecedented charm to it and is insanely listenable. Absolutely exceptional.

 

 

18. Art Angels – Grimes

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As abnormally appealing as they come, Grimes returns with a record which is far more pop orientated than anything she’s ever made before yet it still retains all her trademark characteristics. California is a radio friendly hit that never verges into sell-out territory. She may have scrapped an entire album before this but when the replacement sounds this good, we’re not losing any sleep.

17. Cherry Bomb – Tyler The Creator

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While the ever controversial Tyler may have had a bad 2015 (OFWGKTA is no more, fall out with best pal Earl Sweatshirt, banned from UK), he can end the year knowing his latest album is arguably his best yet. A Frankenstein’s monster of sorts, Cherry Bomb fuses Tyler’s influencers (N.E.R.D, Stevie Wonder) and his own own dubious rap style to make a distorted masterpiece.

16. Another One – Mac DeMarco

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It really is testament to how talented Mac DeMarco is that a mini album manages to stand above full LPs. In his own words, Another One is about “different kinds of facets of being in love, being out of love, wanting love, not wanting love”. This concept never grows tiresome over the record’s eight track length and further refines his already sublime laid back sound.

15. Happy People – Peace 

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Peace know what they are: floppy haired indie royalty, just like Arctic Monkeys before them. They’re not ashamed of this in the slightest though as they embrace this wholeheartedly. Happy People has exactly what you’d expect from the guys who brought you bloodshake as well as some even heavier tracks like I’m A Girl, showing the band are still as capable as ever to fire out some more indie-rock gems.

14. What Went Down – Foals

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It’s hard to recall an album this year that has managed to balance balls to the wall heavy rock and cordial little tracks all on the one LP. Foals have proven yet again that it’s not in their DNA to make a bad album.

 

13. Are You Satisfied – Slaves

81rIWd69XNL._SL1417_The debut album is often a record which most bands would play it safe on to be more approachable by the public. This isn’t the case for Kent punk duo Slaves who showcase their silliness on Feed The Mantaray while also trying to get their message across of “doing something with your lives” to listeners. Regardless if they succeed in doing so, the boys manage to stand out from every two piece band around at the moment, no small feat at all.

12. The Mindsweep – Enter Shikari

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2015 was undoubtedly one of the most important years for UK politics and no band knows and represents this better than Enter Shikari. From the feedback heavy track Anaesthetist dealing with the privatisation of the NHS to the unsubtly commentary on the corruption of bankers on Bank Of England, the band make their voice well and truly heard and it’s never sounded so good.

11. If You’re Reading This, It’s Too Late – Drake

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For a man who is worth millions, if not billions, Drake’s latest album is surprisingly minimalistic in comparison to other rapper’s records. However, this surprise release benefits from this, managing to hit out with the anthems you’d expect from Drizzy while managing to be retrospective. A man that can’t be stopped.

 

10. Too – FIDLAR

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Los Angeles band FIDLAR love drugs (despite just getting out of rehab), drinking and self loathing. They lay all their cards out on the table so that they and the listeners can get down to business and have a good time. Wouldn’t you know it, they do exactly that. Heavily inspired by the 90’s teen angst bands like blink-182, Too is a 42 minute record that is all about having fun and provides just that. Simple yet amazing.

9. My Love Is Cool – Wolf Alice

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Is it any surprise that Wolf Alice are the biggest new act of 2015? The band have built up a hype hurricane since their very first EP which hasn’t been helped by the likes of NME naming them a “band that will change your life” and being nominated for multiple awards. Thankfully this hasn’t derailed the band who deliver a record bursting with heart and grunge-lite sound. One of the greatest debuts of the past decade.

8. Life’s Not Out To Get You – Neck Deep

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Pop punk has had its own sort of renaissance this year with Knuckle Puck mixing the emo sound of American Football with the appeal a genre like this brings. Neck Deep have filled the converse of blink-182 with an album that is full of the same polish and emotion as Enema Of The State. A band that are worth keeping your eye on.

7. Positive Songs For Negative People – Frank Turner

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You’ll struggle to find a solo artist with the same raw passion as Frank Turner. After constructing a record about heartbreak that was enough to make the toughest person feel second hand remorse, PSFNP does exactly what it says on the tin. Any self professed cynic will find themselves drawn in by the snarling guitars and folk rock genius of certain tracks, showing that Frank is arguably the most talented Turner in the business.

6. The Powers That B – Death Grips

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Sacramento experimental hip hop band Death Grips are…weird to say the least. This statement proves to be the most true when listening to Jenny Death, the second half of TPTB, which came out of fucking nowhere in traditional Death Grips fashion. It serves as a reminder to why many fell in love with the band: pure uncut anarchy with the staple MC Ride delivery. Although it isn’t as tremendous as The Money Store, it’s the perfect combination of rap and rock, especially on tracks like On GP.

5. Integrity > – JME

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Just like pop punk, Grime witnessed a second wind this year, solidified by artists like Skepta breaking into the charts and a flamethrower extravaganza at the Brits when many artists from the genre joined Kanye on stage. While it may not have topped charts, JME’s latest record is the best record in the genre since Boy In Da Corner. Independently released, JME preaches about keyboard warriors, veganism and his disinterest in others opinions. Over the 16 tracks and countless video game references, it’s painfully clear that JME is loving what he’s doing, not having to answer to a boss and in the process he’s stumbled upon one of the most refreshing albums of the year.

4. Get To Heaven – Everything Everything

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Bare with me here. Yes, if you had asked me a few years ago if I would ever enjoy an Everything Everything album I would probably have laughed you off. However, the Manchester act aren’t regarded as genre defying for nothing and their latest release is proof of that. Full to the brim with infectious pop and insanely danceable tracks, Get To Heaven is unlike anything to come out this year. It has political commentary so well hidden by its 60’s beats and weirdly catchy alarm clock samples that even if they were stripped away, the album as a whole would still stand on its own. Imaginative and unique, Get To Heaven can be three genres at once but still be described with one word: exhilarating.

3. That’s The Spirit – Bring Me The Horizon

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After a brutal history with the drug Ketamine, Oli Sykes says he came out of Rehab feeling like he didn’t want to scream anymore, he wanted to “sing from the fucking rooftops”. Just as Sykes overcame his addiction, so to have Bring Me The Horizon overcame the troubles that most bands face when changing their sound. Although hardcore fans who have been there since their metalcore days may be disappointed about the transition, there is no denying the layered and evolved synths and atmosphere that come in hand with them are on an such a level of quality that it’s hard to think of a band that does it as well as them. Without a doubt, the best rock album of 2015.

2. In Colour – Jamie XX

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It’s hard to fault Jamie Smith when it comes to his skills as a producer. Many felt like working with The XX was limiting his range, musically, and whilst members of the band make appearances throughout, In Colour not only stands on its own two legs, it stands out as an absolute juggernaut of a record. The brilliant thing about In Colour is how difficult it is to pigeon hole. It’s been described by some reviewers as a rave album and some tracks like the aforementioned Gosh could imply that it is such an album. However each track can be interpreted in so many and the term “electronic” is so vague that it’s almost insulting. Whether you think it’s a rave album, a techno one or even a semi reggae one for some reason, you’re both right and wrong. One thing is for sure though and that’s that you’ll definitely be in the latter if you decide to give this album a skip.

 

And the best album of the year is…

To Pimp A Butterfly – Kendrick Lamar

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What else was it going to be? Let’s all confess for a minute: we were all worried. How on earth could Kendrick Lamar top the move-esque masterpiece that was Good Kid m.A.A.d city? We were anxious as fuck but once To Pimp A Butterfly dropped out of nowhere, all those worries were laid to rest.

Criticise me if you wish but Lamar is the new king of rap as his scope reaches a ginormous scale you’d expect from a firearm. Showing the rage of Kanye (Blacker The Berry), romantic nature of Drake (Complexion) and the unpredictableness that only Lamar himself can provide, TPAB could have been a lame, safe follow up. Instead it tackles integrated racism in America, staying true to yourself by turning down stardom and…talking to Tupac. Seriously though, Kendrick is a man who knows where he stands in the music world. He knows he’s one of the biggest artists in the world and he uses this position for good, asking for gangs to reconcile, calling out rappers for being shams and telling the listener to love themselves.

There’s not much I can say about To Pimp A Butterfly that hasn’t been said already but what I can say is this: it’s not only the best album of 2015, it’s arguably the best album to come out this century.

Big love, Liam x

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BCAYMI: November 2015

When I attempted, and failed, to make my series Blink (Clyro) And You’ll Miss It into a monthly thing, I kinda fucked it up. Despite being one of my most popular posts, there was something about it that just didn’t sit with me right, like the potential it had just wasn’t being used. Now after a few months of procrastination  careful thinking, I’ve brought it back! *insert one person clapping*

Not only will BCAYMI (see, it just rolls off the tongue) cover music but it’ll also feature film, TV and gaming content that means you’ll constantly be in the loop. Think of it as a smaller, less indie NME except my head isn’t lodged up Arctic Monkey’s arse and people don’t write bitchy tweets about me. Well, as far as I know.

Music

Featured Artist Of The Month

Codist

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To quote the world renown author Me, Glasgow trio Codist’s sound is like “if you put Biffy Clyro’s gritty, stripped back tone from Blackened Sky in a blender with Weezer during their blue album era”, not a small compliment for someone with half of one of those band’s name in their website name. With Chris Curry now joining the band to raise the number of members to 4, it’s exciting to see how the band will shape their sound of their upcoming album in addition to their upcoming gig at Glasgow’s The Hug And Pint this December. Codist 2.0, here we go.

Facebook | Twitter | Bandcamp

Top 5 New Tracks

1.Modern Baseball – The Waterboy Returns

If their Sophomore album You’re Gonna Miss It All was about being in denial about your problems then Philadelphia based band Modern Baseball’s new track is about admitting these issues and trying to move on from them. Full of sombre, personal lyrics, Brendan Lukens’ trademark nasally vocal style has never sounded so good.

2. Weezer – Do You Wanna Get High

Returning from the critical acclaim of their 2014 release Everything Will Be Alright In The End with a sound more reminiscent of their Pinkerton days, Weezer bring the crunchy guitars and ridiculously good lyrics the band built their name on.

3. Aphex Twin – avril altdelay

With Avril 14th being one of British electronic musician Richard D James’ most famous tracks, it was only a matter of time until he revamped his iconic song which has only made it even more pleasant. It won’t be long until Kanye begs for the chance to sample this again.

4. Chance The Rapper – Angels

Since the release of his second mixtape Acid Rap, Chicago born rapper Chance The Rapper has collaborated with the likes of James Blake and Donald Glover. Now he’s got fans in a frenzy as he teases his third mixtape and Angels hasn’t dampened their spirits, full of references to Kanye West and gospel hooks, this track is not only a homage to Chicago but a testament to the potential Chance has.

5. Guy Garvey – Angela’s Eyes

Owning one of the finest voices music has ever witnessed, Elbow frontman Guy Garvey has released his first solo album to showcase his remarkable vocals and new found sound. While not unfamiliar, there’s enough changes to justify a release and Angela’s Eyes is an excellent example of this.

Album of the Month

Grimes – Art Angels

November is a huge month for female artists with the great return of pop powerhouse Adele returning with her third album 25 and the likes of Drake collaborator Tinashe and *shudder* Ellie Goulding, girl power is very much in the air. November is also huge in terms of the return of an electronic wizard: Grimes.

Her unusual yet pleasing style of vocals and synths are ones that just shouldn’t work yet every time they just seem to get better and better. Thankfully the same can be said about tracks off her upcoming follow up to 2012’s Visions as EDM influenced Realiti and the catchy Flesh without Blood are comforting proof that even with the lack of substance abuse on this release, the canadian artist can still deliver.

(P.S bonus points for that amazing japanese inspired artwork, which perfectly captures the atypical nature of Grimes.)

Upcoming Gigs 

  • U2 @ Hydro – 6th & 7th November | Tickets
  • Bloc Party @ O2 ABC – 9th November | Sold Out
  • The Prodigy @ Hydro – 23rd November | Tickets
  • Slaves @ O2 ABC – Thursday 19th November | Sold Out
  • FIDLAR @ Garage – 12th November | Tickets
  • Bring Me The Horizon @ Edinburgh Corn Exchange – 25th November | Sold Out
  • Frank Turner @ Barrowlands – Friday 13th November | Sold Out

Kent punk duo Slaves visit Glasgow’s O2 ABC this month
 Upcoming Albums

  • Justin Bieber – Purpose (13th November)
  • Adele – 25 (20th November)
  • Rustie – EVENIFUDONTBELIEVE (OUT NOW)
  • Bob Dylan – The Cutting Edge 1965-1966: The Bootleg Series Volume 12 (November 6th)
November marks Adele’s triumphant return with new album 25

Film + TV

Film of the Month

The Good Dinosaur
Released: 27th November

Yes, I’ll look like a big waine for choosing this over Spectre but bare with me. Since Spectre was released last month and has been praised to no end (which it totally deserves) , I thought I’d go for a film that’s actually released this month and what better than Pixar’s next film. The Good Dinosaur is about an alternate timeline where the meteor that wiped out the dinosaurs narrowly missed, meaning that the giant creatures still exist. What follows is the tale of Arlo as he suffers a major loss (not hard to guess what happens, it’s Pixar after all) and tries to find his way back home.

This film has a chance to fail as it seems like it’ll be cliched and it’s directed by someone who’s only ever been behind the camera one times: for a Pixar short. However, it also has the opportunity to surprise everyone and become what the incredibles was to superhero films. In addition to this, the film has already been praised for its photorealistic visuals, meaning regardless if the film’s a flop, it’ll be a beautiful one. Who knows what will happen but regardless if it’s bad or fantastic, I’ll be there to see it.

TV Show of The Month

Peep Show
Starts: 11th November

What else was it going to be? Ranking alongside The Inbetweeners for being one of the most quotable British comedies of all time, Peep Show has kept us waiting in anticipation for 3 years for what is now the show’s last season. To avoid giving anything away to those who have avoided all previews and interviews, the ninth season will consist of “Mark trying to sell a loan to a gullible idiot while Jeremy is living in a bath”. The premise alone sounds hilarious and it’ll be worth it alone to see Mark, Jeremy and Super Hans for the last time before they fade away into Channel 4 fame. With this and Catastrophe, Channel 4 can rightfully call itself the home of Comedy.

Will it be worth the wait? No idea. Will it be quoted relentlessly by hundreds of users on Twitter? You bet yer arse.

Gaming

Game of the Month

Fallout 4
Released: 10th November

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In a month full of blockbuster game releases, Bethesda have their work cut out for them. Not only are they up against two juggernaut FPS going by the names Star Wars Battlefront & Call of Duty but there’s also the return of both Guitar Hero and Rock Band. Are they worried? Of course not.

Regardless if this game flops like a fish out of water, millions of gamers will still pick up Fallout 4 because, well, it’s Fallout. It’s an immersive post apocalyptic wasteland, full of radiation inflicted monsters and other humans just as desperate as yourself for supplies, safety and, most importantly, power. Its predecessor, unsurprisingly called Fallout 3, is one of my favourite games of all time and the sound of returning to the franchise with better graphics, more customisation and even greater gameplay, is too good to pass up. If you pick up one game this month, make it this.

BLINKCLYRO

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Cheers for sticking all the way to the end and I hope you enjoyed what I hope to be a regular thing! Any feedback is more than welcome and if you have any suggestions, whether it be a new track you think deserves more attention or you’re part of an up and coming band who want an opportunity to get their name out there then email me @ liammenzies96@gmail.com.

Over the past two months BLINKCLYRO has accumulated over 2,000 views and I couldn’t be more thankful for that! Here’s hoping I can keep you lot entertained for the rest of 2015 and beyond, perhaps even venture into different outlets *nudge* *nudge* *wink* *wink* . You can follow me on Twitter @blinkclyro and over on my facebook page here. What follows is a wee schedule of what you can expect from the site this month!

Schedule

  • Life Is Strange review – Sunday 8th November
  • Bloc Party gig review – Tuesday 10th November
  • Frank Turner – Saturday 14th November 
  • First week with Fallout 4 (sort of review) – Tuesday 17th November
  • Slaves gig review – Friday 20th November
  • Bring Me The Horizon gig review – Thursday 26th November
    + even more tbc!!!!

After releasing the best album of their career, Bring Me The Horizon come to Edinburgh with their fresh new sound.
After releasing the best album of their career, Bring Me The Horizon come to Edinburgh with their fresh new sound.
Big Love, Liam x

BBC Radio 1’s Big Weekend 2015 Review, 23/05/2015 – 24/05/2015

Festival season is coming.

Soon the flower head dresses will be donned, the tents miserably pitched up and the cliché face-paint put on by every guy in sight (happy/sad to admit I did the same at T last year). With Glastonbury just under a month away, the BBC have got music fans hyped for the season ahead with their annual Big Weekend event which graced Glasgow last year. This year it was Norwich’s turn and god did they luck out, with what is probably the best line up the event has ever had. Unfortunately I never got tickets but this didn’t stop me from enjoying the coverage provided by BBC Three from the comfort of my bed. Instead of giving you a Top 10 style list a la WatchMojo, I’m just gonna give my thoughts on the different acts I managed to catch over the weekend. As always, this is my own opinion and my favourites and least favourites are gonna differ from yours. Regardless, let’s get started.

Foo Fighters
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ight let’s get something out of the way first: I’m not a fan of Sonic Highways. Maybe it was the hype, maybe it was the fact it played it too safe even though it’s the band’s eighth record, it just didn’t sit well with me. However, as soon as Dave Grohl and co. came on stage, as soon as he welcomed the crowd and started playing the opening chords to Everlong, none of that mattered. It was like being transported back to the very first time I listened to their greatest hits compilation and I loved every second of it. This feeling lasted through the entire set, a true testament to the band’s ability to perform. Watch out Glastonbury, you’re in for a treat.

Muse
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Saturday’s main stage headliner were none other than Muse, a band who, like Foo Fighters, have been a favourite of mine for as long as I’ve been a fan of music. However just like Foo Fighters, their recent music has been rather disappointing in comparison to their older material but regardless of the fact that they’ve nearly been around for as long as I’ve been alive, they still know how to put on a show. Their setlist showcased some tracks off  upcoming album Drones with Psycho being a highlight, accompanied by a drill sergeant appearing on a screen behind them yelling as if he was saying to the crowd directly if they were ready. Closing track Knights Of Cydonia was a real treat for fans, regardless if they were new or old, leaving those who attended satisfied as well as excited for June 8th when the band’s new album drops.

Alt J
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I’ll admit now that I was worried about this one. I love Alt J to bits, An Awesome Wave effortlessly making its way into my favourite debut albums list that’s unofficially written in my mind. However the odd vocal style and even odder sound that the band have has always had me questioning whether or not it can transfer to the stage well. Thankfully after the Miley Cyrus featuring Hunger Of The Pine and the even more mesmerizing Fitzpleasure, my worries were laid to rest. As off as some of the vocal performances may have been at times, to me it added to the band’s unique charm. Predictably enough the Leeds boys finished with Breezeblocks, a crowd and fan favourite which is just as much an anthem as you’d expect, resulting in a surprisingly sweet set by the band.

Jamie T
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t’s odd to think that Jamie T is actually back. For 4 years after his sophmore album Kings & Queens he just disappeared, fans left wondering what had happened to him and if he was ever gonna come back. Unbeknown to fans though, he was crafting 140 songs with only 12 getting hand-picked for 2014’s critically acclaimed Carry On The Grudge. The luck has continued for the Wimbledon boy with a set of festival appearances lined up, Big Weekend being the lucky one to host him first and he didn’t half arse it. There’s not much I could say that could do his performance justice as it was hands down my favourite of the weekend but I’ll try my best. Sheila, an indie anthem in its own right, had the crowd chanting along as Jamie controlled the crowd without any effort needed and this continued during the remainder of the set, especially during If You’ve Got The Money. There was some quiet moments during the atmospheric Don’t You Find as well as Emily’s Heart, both highlighting the natural skill Jamie T has as a songwriter. This performance showed why his albums will no doubt stand the test of time and why Jamie T is one of the most exciting and talented acts Britain has to offer.

Taylor Swift
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Confession time here: I used to hate Taylor Swift. Maybe it was cause I was 15 at the time and at that age you tend to jump onto whatever seems cool at the time, as proved by the Gangnam Style phase which was a dark time for us all. In my defence though I think it was because I didn’t like the style of music she was going for at the time with her country sound which in itself is a pretty Marmite genre. However her opening track We Are Never Getting Back Together was a glimpse of things to come when it was released on 2012 album Red and I’m not ashamed to admit how much I enjoyed it. Other tracks off last year’s surprisingly great album 1989 went down well with the crowd and if this performance was just Swift getting prepared for her BST gig next month then we should all be really excited.

Slaves
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Fun little story: back in November I was off to see Biffy in London and as such I was excited to say the least. When I heard that a little Kent duo called Slaves were one of the support acts, I didn’t think about it twice. Who would have known they’d become one of my favourite bands at the moment and take the music scene by storm. Their performance on the In New Music We Trust stage was a testament to the sheer power the duo can deliver, enough to put Royal Blood to shame. From White Knuckle Ride to closing track Hey, Slaves kept me entertained via the TV more than most acts I’ve saw live. The stories that vocalist Isaac told alongside bandmate Laurie had me laughing as well as intrigued, something that a lot of acts only wish they could do. If you get the chance to see this band live then do not miss out, you’ll heavily regret it.

And more…..
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I managed to watch a lot of acts over the weekend but the 6 above were my stand outs favourites. There were some other great artists there such as Fall Out Boy whose golden oldie tracks managed to outweigh the mediocre new ones. Florence + The Machine as always put on a stunning performance packed to the brim with quality that is now expected of them and will surely come in handy at Glastonbury. Lastly The Vaccines  put on a rather good performance as well, nicely tying into the release of their album English Graffiti today. BBC’s Big Weekend was well worth watching and with even more festivals on the way, music fans have more than enough entertainment sorted for the summer.

What were your favourites acts? Did you have a least favourite? Comment below or tweet me @blogclyro , thanks for reading to the end!

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