FIDLAR Are Sillier Than Ever On “Almost Free”

FIDLAR first properly entered the public consciousness in 2013 with their self-titled debut album. An energetic garage punk affair with lyrics focusing around themes of drug use, depression and general debauchery, FIDLAR’s lyrics have always been on the cringey side but their debut had a level of charm and strong, simple songwriting which made it the soundtrack for angsty teens experimenting with drugs and skateboarding everywhere.

Almost Free has FIDLAR flex their versatility as a band. The group plays with a varied palette of sounds with the band dipping their toes in hip-hop, blues, and even gouse music, amongst other styles. The album also boasts a warm and full production style that contrasts nicely with their earlier lo-fi leaning endeavours.

This album also stands out as FIDLAR’s most hilarious album to date. When the listener puts on Almost Free they are immediately hit with the group trying to do a cool hip-hop track complete with aggressive, yet cringey vocal delivery and cool dad-rock worthy blues licks. A truly strong start for the band if they were aiming to make their funniest album yet. The problem here is that it’s unlikely the band were trying to make funny music (with the exception of By Myself but we’ll get to that). However, the blend of sounds the band has adopted over the years mixed with the still cringe-ridden lyrics makes a lot of Almost Free just unintentionally funny.

Too Real features lead vocalist Zac Carper giving out hot takes about current American politics and society today with an attitude that can only be described as too woke. The bridge section sees Zac spitting venom about flaws in both left and right leaning politics in a progressively angry tone. After some awkward ranting the chorus hook enters “Was that too fucking real?!” the listener is left thinking No. Not Really.

By Myself, arguably the silliest track on the album starts with Carper on acoustic guitar singing the song’s chorus, solo: “I’m cracking one open with boys, by myself”. Now ignoring the glaring fact that the boys in FIDLAR have based the hook of their song around a long dead meme there seems to be a level of irony built around the track that’s a bit refreshing. By Myself proves that FIDLAR are able to laugh at themselves from time to time and also shows a level of self awareness they’ve never shown before (Carper can even be heard laughing at his own bad joke). However, when the song launches into the verse section and adopts a cheesy house beat the self awareness disappears and we can be treated to FIDLAR running a dead meme song into the ground for just under four minutes.

This is all quite unfortunate as a level self awareness would greatly benefit FIDLAR’s music at this stage in their career because in some ways they seem to have developed into an unironic parody of themselves over the years.

When this album isn’t being edgy it tends to just be downright bland. Tracks such as Can’t You See and Flake have very generic indie aesthetics especially with the former which sounds like a track written by any local Arctic Monkeys influenced band ever.

Almost Free is far from terrible with songs such as Alcohol and Called You Twice been stand out tracks. The band are obviously competent songwriters and skilled musicians but it’s the band’s blend of cliched ‘cool’ blues riffs, generic indie stylings, bad integration of hip-hop and the all round cringefest that is FIDLAR lyricism that really makes Almost Free stand out as FIDLAR’s most unintentionally funny album yet. – Liam Toner (@tonerliam)

Top 10 Gigs Of 2015

With 2015 over, here are the best gigs Glasgow had to offer last year, showcasing the variety the city has to offer!

Top 25 Albums Of 2015

It’s time.

List season. It’s odd how something with such a boring name could cause heated debate amongst many, though that’s nothing new for the internet. So as I’ve always done since 2013, I’ve compiled a list of my favourite albums of the past 12 months, ranging from heavy rock to pop to grime to rap, there’ll no doubt be something here for you. Disagree with me? Well you could always contribute to my Best of 2015 post which is coming next Thursday, just message me on Twitter or Facebook and you’ll be sorted!

I hope you enjoy this list which took far too much time to make than I’m proud to admit. So put the pitchforks down for now and let’s dive in.

25. At. Long. Last. ASAP – A$AP Rocky

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Following up his 2013 debut Long Live ASAP, Harlem rapper A$AP Rocky gets even more experimental on this sophomore album. While there’s significantly less chart gems present than his last outing, the same charm and production value can be felt on every track.

 

24. Purpose – Justin Bieber

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Time for all those awfully spelt insults and memes we made about biebs to disappear. He is back and with a totally transformed sound as those who once slated him are now praising him as tracks like Sorry are pop perfection. While his vocals might be a bit lackluster and too safe, the influence Kanye, Skrillex and co. have had on the lad has paid off.

23. Back On Top – The Front Bottoms

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While Talon Of The Hawk felt like a AAA version of The Front Bottoms’ self loathing lyric fueled sound, Back On Top feels like the beginning of a new chapter for the band. Historic Cemetery just screams Weezer and other tracks like Cough It Out are as catchy as a cold (albeit more enjoyable). A near flawless amalgamation of emo & pop-punk.

22. Every Open Eye – CHVRCHES 

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There’s no denying that CHVRCHES are one of the best new bands to come out in quite a while, breathing new life into the synth pop genre and yet again reiterating how vibrant the Glasgow music scene is. Every Open Eye is like the Empire Strikes Back for the band: more gritty, more epic but faithful to what made the band what they are.

21. For All My Sisters – The Cribs

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West Yorkshire band The Cribs might have hit out with their best album yet, full of the indie punk greatness that put them on the radar in the first place. See Pink Snow for a chaotic crescendo closer that results in another classic album for the band’s discography.

 

20. Currents – Tame Impala

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Despite constantly being compared to the likes of Radiohead for their album rock genius, Tame Impala somehow manage to merge frontman Kevin Parker’s uncontrollable love of pop and their trademark psychedelic sound to craft something truly special. A breakup album disguised as a feel good, funky gem, Currents is only as good as the sum of its parts and those parts are undeniably brilliant.

19. Sometimes I Sit And Think And Sometimes I Just Sit – Courtney Barnett

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Courtney Barnett has proved time and time again why she deserves to be put on a pedestal, despite what she might say on Pedestrian At Best. Sometimes I Sit.. has an unprecedented charm to it and is insanely listenable. Absolutely exceptional.

 

 

18. Art Angels – Grimes

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As abnormally appealing as they come, Grimes returns with a record which is far more pop orientated than anything she’s ever made before yet it still retains all her trademark characteristics. California is a radio friendly hit that never verges into sell-out territory. She may have scrapped an entire album before this but when the replacement sounds this good, we’re not losing any sleep.

17. Cherry Bomb – Tyler The Creator

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While the ever controversial Tyler may have had a bad 2015 (OFWGKTA is no more, fall out with best pal Earl Sweatshirt, banned from UK), he can end the year knowing his latest album is arguably his best yet. A Frankenstein’s monster of sorts, Cherry Bomb fuses Tyler’s influencers (N.E.R.D, Stevie Wonder) and his own own dubious rap style to make a distorted masterpiece.

16. Another One – Mac DeMarco

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It really is testament to how talented Mac DeMarco is that a mini album manages to stand above full LPs. In his own words, Another One is about “different kinds of facets of being in love, being out of love, wanting love, not wanting love”. This concept never grows tiresome over the record’s eight track length and further refines his already sublime laid back sound.

15. Happy People – Peace 

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Peace know what they are: floppy haired indie royalty, just like Arctic Monkeys before them. They’re not ashamed of this in the slightest though as they embrace this wholeheartedly. Happy People has exactly what you’d expect from the guys who brought you bloodshake as well as some even heavier tracks like I’m A Girl, showing the band are still as capable as ever to fire out some more indie-rock gems.

14. What Went Down – Foals

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It’s hard to recall an album this year that has managed to balance balls to the wall heavy rock and cordial little tracks all on the one LP. Foals have proven yet again that it’s not in their DNA to make a bad album.

 

13. Are You Satisfied – Slaves

81rIWd69XNL._SL1417_The debut album is often a record which most bands would play it safe on to be more approachable by the public. This isn’t the case for Kent punk duo Slaves who showcase their silliness on Feed The Mantaray while also trying to get their message across of “doing something with your lives” to listeners. Regardless if they succeed in doing so, the boys manage to stand out from every two piece band around at the moment, no small feat at all.

12. The Mindsweep – Enter Shikari

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2015 was undoubtedly one of the most important years for UK politics and no band knows and represents this better than Enter Shikari. From the feedback heavy track Anaesthetist dealing with the privatisation of the NHS to the unsubtly commentary on the corruption of bankers on Bank Of England, the band make their voice well and truly heard and it’s never sounded so good.

11. If You’re Reading This, It’s Too Late – Drake

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For a man who is worth millions, if not billions, Drake’s latest album is surprisingly minimalistic in comparison to other rapper’s records. However, this surprise release benefits from this, managing to hit out with the anthems you’d expect from Drizzy while managing to be retrospective. A man that can’t be stopped.

 

10. Too – FIDLAR

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Los Angeles band FIDLAR love drugs (despite just getting out of rehab), drinking and self loathing. They lay all their cards out on the table so that they and the listeners can get down to business and have a good time. Wouldn’t you know it, they do exactly that. Heavily inspired by the 90’s teen angst bands like blink-182, Too is a 42 minute record that is all about having fun and provides just that. Simple yet amazing.

9. My Love Is Cool – Wolf Alice

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Is it any surprise that Wolf Alice are the biggest new act of 2015? The band have built up a hype hurricane since their very first EP which hasn’t been helped by the likes of NME naming them a “band that will change your life” and being nominated for multiple awards. Thankfully this hasn’t derailed the band who deliver a record bursting with heart and grunge-lite sound. One of the greatest debuts of the past decade.

8. Life’s Not Out To Get You – Neck Deep

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Pop punk has had its own sort of renaissance this year with Knuckle Puck mixing the emo sound of American Football with the appeal a genre like this brings. Neck Deep have filled the converse of blink-182 with an album that is full of the same polish and emotion as Enema Of The State. A band that are worth keeping your eye on.

7. Positive Songs For Negative People – Frank Turner

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You’ll struggle to find a solo artist with the same raw passion as Frank Turner. After constructing a record about heartbreak that was enough to make the toughest person feel second hand remorse, PSFNP does exactly what it says on the tin. Any self professed cynic will find themselves drawn in by the snarling guitars and folk rock genius of certain tracks, showing that Frank is arguably the most talented Turner in the business.

6. The Powers That B – Death Grips

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Sacramento experimental hip hop band Death Grips are…weird to say the least. This statement proves to be the most true when listening to Jenny Death, the second half of TPTB, which came out of fucking nowhere in traditional Death Grips fashion. It serves as a reminder to why many fell in love with the band: pure uncut anarchy with the staple MC Ride delivery. Although it isn’t as tremendous as The Money Store, it’s the perfect combination of rap and rock, especially on tracks like On GP.

5. Integrity > – JME

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Just like pop punk, Grime witnessed a second wind this year, solidified by artists like Skepta breaking into the charts and a flamethrower extravaganza at the Brits when many artists from the genre joined Kanye on stage. While it may not have topped charts, JME’s latest record is the best record in the genre since Boy In Da Corner. Independently released, JME preaches about keyboard warriors, veganism and his disinterest in others opinions. Over the 16 tracks and countless video game references, it’s painfully clear that JME is loving what he’s doing, not having to answer to a boss and in the process he’s stumbled upon one of the most refreshing albums of the year.

4. Get To Heaven – Everything Everything

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Bare with me here. Yes, if you had asked me a few years ago if I would ever enjoy an Everything Everything album I would probably have laughed you off. However, the Manchester act aren’t regarded as genre defying for nothing and their latest release is proof of that. Full to the brim with infectious pop and insanely danceable tracks, Get To Heaven is unlike anything to come out this year. It has political commentary so well hidden by its 60’s beats and weirdly catchy alarm clock samples that even if they were stripped away, the album as a whole would still stand on its own. Imaginative and unique, Get To Heaven can be three genres at once but still be described with one word: exhilarating.

3. That’s The Spirit – Bring Me The Horizon

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After a brutal history with the drug Ketamine, Oli Sykes says he came out of Rehab feeling like he didn’t want to scream anymore, he wanted to “sing from the fucking rooftops”. Just as Sykes overcame his addiction, so to have Bring Me The Horizon overcame the troubles that most bands face when changing their sound. Although hardcore fans who have been there since their metalcore days may be disappointed about the transition, there is no denying the layered and evolved synths and atmosphere that come in hand with them are on an such a level of quality that it’s hard to think of a band that does it as well as them. Without a doubt, the best rock album of 2015.

2. In Colour – Jamie XX

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It’s hard to fault Jamie Smith when it comes to his skills as a producer. Many felt like working with The XX was limiting his range, musically, and whilst members of the band make appearances throughout, In Colour not only stands on its own two legs, it stands out as an absolute juggernaut of a record. The brilliant thing about In Colour is how difficult it is to pigeon hole. It’s been described by some reviewers as a rave album and some tracks like the aforementioned Gosh could imply that it is such an album. However each track can be interpreted in so many and the term “electronic” is so vague that it’s almost insulting. Whether you think it’s a rave album, a techno one or even a semi reggae one for some reason, you’re both right and wrong. One thing is for sure though and that’s that you’ll definitely be in the latter if you decide to give this album a skip.

 

And the best album of the year is…

To Pimp A Butterfly – Kendrick Lamar

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What else was it going to be? Let’s all confess for a minute: we were all worried. How on earth could Kendrick Lamar top the move-esque masterpiece that was Good Kid m.A.A.d city? We were anxious as fuck but once To Pimp A Butterfly dropped out of nowhere, all those worries were laid to rest.

Criticise me if you wish but Lamar is the new king of rap as his scope reaches a ginormous scale you’d expect from a firearm. Showing the rage of Kanye (Blacker The Berry), romantic nature of Drake (Complexion) and the unpredictableness that only Lamar himself can provide, TPAB could have been a lame, safe follow up. Instead it tackles integrated racism in America, staying true to yourself by turning down stardom and…talking to Tupac. Seriously though, Kendrick is a man who knows where he stands in the music world. He knows he’s one of the biggest artists in the world and he uses this position for good, asking for gangs to reconcile, calling out rappers for being shams and telling the listener to love themselves.

There’s not much I can say about To Pimp A Butterfly that hasn’t been said already but what I can say is this: it’s not only the best album of 2015, it’s arguably the best album to come out this century.

Big love, Liam x

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5 Stages Of Post Gig Grief: A FIDLAR Review

If you somehow managed to avoid my social media last night/this morning then you’ll have fortunately missed my spam of the gig I went to last night. The gig in question, FIDLAR at Glasgow’s Garage, was something extra ordinary. In fact, it made me feel something that I’ve not felt since the Biffy Barrowlands gig I went to last December: Post Gig Grief. If you’ve ever been to see your favourite band live then you’ll have experienced it and I thought that I would describe it to you all in a totally mature and professional manner: a list a la buzzfeed showing the five stages!!! (Wait, that’s not mature)

Stage 1 – Denial

denialSo you wake up the morning after the gig, no doubt covered in beer, sweat and god knows what else from the night before. You’ll feel the second hand pain of all the gig goers you saw during Cheap Beer who couldn’t help but embrace the adrenaline fuelled anthem and crowd surfed. No doubt they’ll be feeling ten times the pain you are from that blurry night full of rum and coke but regardless,you still feel fantastic. In fact, you briefly forget where the band are from, failing to realise that they will probably not return for another 2-3 years. Seeing them at a festival? One look at your bank account and you know yourself that it’ll take a miracle for those funds to appear.

                                                                           Stage 2 – Angerwraprage_2647672b

So now you’ve realised all of this. Now you’re raging. “Why do they never tour as often”, “WHY THE FUCK DID THEY NOT PLAY PUNKS OR SOBER“, “WHY DID YOU NOT DO AN ENCORE”, you just start to question everything that ends up in you becoming a little bruised ball of rage and emotion. It’s not uncommon to see others at this stage angrily tweeting the bands with these complaints, using exclamation marks and typing like their cap locks button is broken
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Stage 3 – Bargaining 

Instead of using it to deal with your anger, you return to Twitter in the hopes that you can negotiate with the artist you’ve just seen. It starts off with the simple plead of attention, hoping they’ll look at your tweet or even reply! Then it gets to the begging stage, the one you see all the time with folk trying to exchange interactions for rewards like “if this tweet gets 30,000 retweets you need to come perform back in Scotland” or some other ridiculous offer.You might get to an even more desperate stage where you bargain for yourself. “If I complete all this work, I can afford to pay £300+ to see the band in a different country”. All this builds up to….

Stage 4 – Depression

All that anger has died away now. All there is now is pity for yourself, not being able to come to terms with the fact that you’ll have to wait forever to see your favourite act. What follows is an endless cycle of listening to their entire discography on an endless loop which only makes you feel even more down, or worse, sick of the band or singer themselves. You’ll see the band acting as if the gig never happened, if you’re lucky they’ll talk once about the gig you were at before talking about the next. Even though this is what is meant to happen and makes complete sense, you take it so personally that you feel rock bottom. Thankfully, this all leads to…

                       Stage 5 – Acceptance

This stage can occur weeks after the gig itself, it can happen the same day you’ve been through the previous four phases but what’s clear is that you’ll come to this realisation. The realisation that if your band toured all the time you’d probably grow sick of getting to see them all the time. The realisation that it would be selfish for them to play Glasgow all the time and that there are fans just like you desperate to see them. The realisation that the artist need their to get the tour out the way with and get to work on the next album which will make you as happy as the first time you listened to them. Then they’ll announce another tour and you’ll get tickets in a heartbeat. What’s next?

It happens all over again.

Big love, Liam

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BCAYMI: November 2015

When I attempted, and failed, to make my series Blink (Clyro) And You’ll Miss It into a monthly thing, I kinda fucked it up. Despite being one of my most popular posts, there was something about it that just didn’t sit with me right, like the potential it had just wasn’t being used. Now after a few months of procrastination  careful thinking, I’ve brought it back! *insert one person clapping*

Not only will BCAYMI (see, it just rolls off the tongue) cover music but it’ll also feature film, TV and gaming content that means you’ll constantly be in the loop. Think of it as a smaller, less indie NME except my head isn’t lodged up Arctic Monkey’s arse and people don’t write bitchy tweets about me. Well, as far as I know.

Music

Featured Artist Of The Month

Codist

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To quote the world renown author Me, Glasgow trio Codist’s sound is like “if you put Biffy Clyro’s gritty, stripped back tone from Blackened Sky in a blender with Weezer during their blue album era”, not a small compliment for someone with half of one of those band’s name in their website name. With Chris Curry now joining the band to raise the number of members to 4, it’s exciting to see how the band will shape their sound of their upcoming album in addition to their upcoming gig at Glasgow’s The Hug And Pint this December. Codist 2.0, here we go.

Facebook | Twitter | Bandcamp

Top 5 New Tracks

1.Modern Baseball – The Waterboy Returns

If their Sophomore album You’re Gonna Miss It All was about being in denial about your problems then Philadelphia based band Modern Baseball’s new track is about admitting these issues and trying to move on from them. Full of sombre, personal lyrics, Brendan Lukens’ trademark nasally vocal style has never sounded so good.

2. Weezer – Do You Wanna Get High

Returning from the critical acclaim of their 2014 release Everything Will Be Alright In The End with a sound more reminiscent of their Pinkerton days, Weezer bring the crunchy guitars and ridiculously good lyrics the band built their name on.

3. Aphex Twin – avril altdelay

With Avril 14th being one of British electronic musician Richard D James’ most famous tracks, it was only a matter of time until he revamped his iconic song which has only made it even more pleasant. It won’t be long until Kanye begs for the chance to sample this again.

4. Chance The Rapper – Angels

Since the release of his second mixtape Acid Rap, Chicago born rapper Chance The Rapper has collaborated with the likes of James Blake and Donald Glover. Now he’s got fans in a frenzy as he teases his third mixtape and Angels hasn’t dampened their spirits, full of references to Kanye West and gospel hooks, this track is not only a homage to Chicago but a testament to the potential Chance has.

5. Guy Garvey – Angela’s Eyes

Owning one of the finest voices music has ever witnessed, Elbow frontman Guy Garvey has released his first solo album to showcase his remarkable vocals and new found sound. While not unfamiliar, there’s enough changes to justify a release and Angela’s Eyes is an excellent example of this.

Album of the Month

Grimes – Art Angels

November is a huge month for female artists with the great return of pop powerhouse Adele returning with her third album 25 and the likes of Drake collaborator Tinashe and *shudder* Ellie Goulding, girl power is very much in the air. November is also huge in terms of the return of an electronic wizard: Grimes.

Her unusual yet pleasing style of vocals and synths are ones that just shouldn’t work yet every time they just seem to get better and better. Thankfully the same can be said about tracks off her upcoming follow up to 2012’s Visions as EDM influenced Realiti and the catchy Flesh without Blood are comforting proof that even with the lack of substance abuse on this release, the canadian artist can still deliver.

(P.S bonus points for that amazing japanese inspired artwork, which perfectly captures the atypical nature of Grimes.)

Upcoming Gigs 

  • U2 @ Hydro – 6th & 7th November | Tickets
  • Bloc Party @ O2 ABC – 9th November | Sold Out
  • The Prodigy @ Hydro – 23rd November | Tickets
  • Slaves @ O2 ABC – Thursday 19th November | Sold Out
  • FIDLAR @ Garage – 12th November | Tickets
  • Bring Me The Horizon @ Edinburgh Corn Exchange – 25th November | Sold Out
  • Frank Turner @ Barrowlands – Friday 13th November | Sold Out

Kent punk duo Slaves visit Glasgow’s O2 ABC this month
 Upcoming Albums

  • Justin Bieber – Purpose (13th November)
  • Adele – 25 (20th November)
  • Rustie – EVENIFUDONTBELIEVE (OUT NOW)
  • Bob Dylan – The Cutting Edge 1965-1966: The Bootleg Series Volume 12 (November 6th)

November marks Adele’s triumphant return with new album 25

Film + TV

Film of the Month

The Good Dinosaur
Released: 27th November

Yes, I’ll look like a big waine for choosing this over Spectre but bare with me. Since Spectre was released last month and has been praised to no end (which it totally deserves) , I thought I’d go for a film that’s actually released this month and what better than Pixar’s next film. The Good Dinosaur is about an alternate timeline where the meteor that wiped out the dinosaurs narrowly missed, meaning that the giant creatures still exist. What follows is the tale of Arlo as he suffers a major loss (not hard to guess what happens, it’s Pixar after all) and tries to find his way back home.

This film has a chance to fail as it seems like it’ll be cliched and it’s directed by someone who’s only ever been behind the camera one times: for a Pixar short. However, it also has the opportunity to surprise everyone and become what the incredibles was to superhero films. In addition to this, the film has already been praised for its photorealistic visuals, meaning regardless if the film’s a flop, it’ll be a beautiful one. Who knows what will happen but regardless if it’s bad or fantastic, I’ll be there to see it.

TV Show of The Month

Peep Show
Starts: 11th November

What else was it going to be? Ranking alongside The Inbetweeners for being one of the most quotable British comedies of all time, Peep Show has kept us waiting in anticipation for 3 years for what is now the show’s last season. To avoid giving anything away to those who have avoided all previews and interviews, the ninth season will consist of “Mark trying to sell a loan to a gullible idiot while Jeremy is living in a bath”. The premise alone sounds hilarious and it’ll be worth it alone to see Mark, Jeremy and Super Hans for the last time before they fade away into Channel 4 fame. With this and Catastrophe, Channel 4 can rightfully call itself the home of Comedy.

Will it be worth the wait? No idea. Will it be quoted relentlessly by hundreds of users on Twitter? You bet yer arse.

Gaming

Game of the Month

Fallout 4
Released: 10th November

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In a month full of blockbuster game releases, Bethesda have their work cut out for them. Not only are they up against two juggernaut FPS going by the names Star Wars Battlefront & Call of Duty but there’s also the return of both Guitar Hero and Rock Band. Are they worried? Of course not.

Regardless if this game flops like a fish out of water, millions of gamers will still pick up Fallout 4 because, well, it’s Fallout. It’s an immersive post apocalyptic wasteland, full of radiation inflicted monsters and other humans just as desperate as yourself for supplies, safety and, most importantly, power. Its predecessor, unsurprisingly called Fallout 3, is one of my favourite games of all time and the sound of returning to the franchise with better graphics, more customisation and even greater gameplay, is too good to pass up. If you pick up one game this month, make it this.

BLINKCLYRO

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Cheers for sticking all the way to the end and I hope you enjoyed what I hope to be a regular thing! Any feedback is more than welcome and if you have any suggestions, whether it be a new track you think deserves more attention or you’re part of an up and coming band who want an opportunity to get their name out there then email me @ liammenzies96@gmail.com.

Over the past two months BLINKCLYRO has accumulated over 2,000 views and I couldn’t be more thankful for that! Here’s hoping I can keep you lot entertained for the rest of 2015 and beyond, perhaps even venture into different outlets *nudge* *nudge* *wink* *wink* . You can follow me on Twitter @blinkclyro and over on my facebook page here. What follows is a wee schedule of what you can expect from the site this month!

Schedule

  • Life Is Strange review – Sunday 8th November
  • Bloc Party gig review – Tuesday 10th November
  • Frank Turner – Saturday 14th November 
  • First week with Fallout 4 (sort of review) – Tuesday 17th November
  • Slaves gig review – Friday 20th November
  • Bring Me The Horizon gig review – Thursday 26th November
    + even more tbc!!!!

After releasing the best album of their career, Bring Me The Horizon come to Edinburgh with their fresh new sound.
After releasing the best album of their career, Bring Me The Horizon come to Edinburgh with their fresh new sound.
Big Love, Liam x