5 TRANSISTOR Writers On Their Favourite Music Videos

thumbnail and intro fae liam menzies (@blinkclyro)

While music is *shock* for your ears to enjoy, it was only a matter of time before it branched into a medium that could stimulate most, though maybe not all of your senses (only Spy Kids 4D can offer you that).

It’s been almost four decades since the first music video aired on MTV in 1979, aptly titled Video Killed The Radio Star by The Buggles, but since then, we’ve been blessed with experimental, haunting and evoking pieces of visual spectacle that have only gone to add to our enjoyment of certain music. Here are just five of these pieces, chose by none other than the writers of this very site – enjoy.


Isabella McHardy (@izzmchardy): Oblivion by Grimes

Oblivion is pretty simple in comparison to Grimes’ other more theatrical, character-based music videos. But somehow delivers the strongest message. Grimes puts herself in male-dominated spaces, reclaiming her body after sexual assault. Although such an intense topic, she manages to bridge the gap between her and the men in the video.

She breaks down the intimidating reputation sports arenas and male locker rooms have, as well as flipping the male-gaze on its head. The start shows her cautiously navigating unfamiliar places but the video ends with her standing tall amongst her male counterparts.


Gregor Farquharson (@grgratlntc): Lost Little Boys by Fatherson

The way this video follows two best friends dealing with the loss of one of their wives is beautiful – it shows the fun the three always had and the heartache of the man who’s lost his lover.

The feeling when we find out the best friend had an affair with the wife tears apart the viewer but when the two come together at the end and makeup, the emotion felt is unreal. Put together with a strong song, this music video is a real treat to watch.


Liam Menzies (@blinkclyro): Come To Daddy by Aphex Twin

While the videos so far have been about evoking empowerment or sadness, there’s one feeling we haven’t quick chatted about yet.

Seeing as it’s appeared on various “100 Scariest Moments of TV” lists, it should be no surprise that this one is a bit creepy. Filmed in the same estate that Stanley Kubrick’s classic A Clockwork Orange was, the video includes a gang of small children with Richard D James’ face wreaking havoc while an evil spirit emerges who’s face is very much nightmare worthy. Watch this one with the lights off.


Ewan Blacklaw (@Ewanblacklaw): Sabotage by Beastie Boys

The video for one of the NYC trio’s biggest hits really speaks for itself. The Beastie Boys took a much different approach to their videos in comparison to some of the more glamorous productions that became popular in the 90s. With that being said, the videos of the Beastie Boys were often just as extravagant, but took a less serious approach and implemented their unique style just as they had done with their music.

The video sees basically comes off as an 80s-cop movie, with plenty of moustaches and bad special effects. As their popularity increased, their music video budget seemed to stay the same as the video for Sabotage looks like a video made by the class clowns of a film class. This all plays into the Beastie Boys charm and makes for one of the funniest and most memorable music videos from the 90s.


Will Sexton (@willshesleeps): Sweetheart What Have You Done To Us by Keaton Henson

Keaton’s haunting musicianship alone is always enough to bring you to tears but the sheer vulnerability and simplicity of this music video bring it to a new level. The spacey guitar and vocals compliment the image of the open sea and staring straight into Henson’s eyes aren’t easy considering the pain and anguish expressed in the lyrics.

However, the climax of the song where it physically gets too much for the musician and he walks off set is hard to watch without feeling something at the very least. Whether it was scripted or not (knowing about his chronic stage fright and anxiety issues we would presume not) it doesn’t matter as the closing scene of him crying offset breaks your heart.

Field Day 2017 Highlights

By Liam Menzies (@blnkclyr)

If the title wasn’t enough to hammer the point home, Field Day’s new task of taking place over the space of 24 hours works far more in its favour than you may believe. Though it hasn’t always been this way, organisers for the East-London festival have made an ideal move to condense the previously two-day event into one, giving it an advantage over other musical offerings who have to spread the big acts over the course of three or four days. With a plethora of juggernauts and game changers at this year’s round, all been stuck just the weekend before a General Election, Field Day wasn’t short of highlights by any stretch of the imagination.

Death Grips Bring The Noise

With some of the most brutal yet simultaneously intelligent music of this century, it was no real surprise that Death Grips would put on a triumphant performance. Teasing the crowd with a sound check of Ex Military‘s Guillotine, the Sacramento act squeezed a 17 track setlist over their hour-long performance. There was no sign of any new music but considering the length of latest track Steroids (Crouching Tiger Hidden Gabber), which clocks in at around 22 minutes, that’s probably for the best.

Starting off with Whatever I want (Fuck Who’s Watching), Death Grips never slowed down for a second, bringing out some old school favourites like The Money Store opener Get Got as well as Giving Bad People Good Ideas, a track off last year’s Bottomless Pit that features some of the most unsettling vocals the band have ever incorporated into a song. After the dust settled from the audio bombardment that is Guillotine, the band disappeared much like they always do, though having made sure not to blue ball the audience.

Aphex Twin Returns With Style

Aphex Twin Field Day 2017

While Death Grips were hotly anticipated by a lot of attendees this weekend, they weren’t the act that the majority were eager for. No, that accolade goes to Aphex Twin, a pioneer of ambient, intelligent EDM and acid techno who provided some of the best music of the 90’s. With his comeback in 2014, everyone was eagerly waiting for his return to the live circuit having not played in five years. The Field Day organisers were aware of how big a moment this was, giving the Irish-born musician a temporarily constructed superclub known as The Barn with a ginormous sound system and lighting rigs for him to add to his disposal.

With 10,000 people fitted into this ravey construction, Richard D. James made sure not to fuck up this comeback. As you can imagine, the aforementioned rigs allowed for swirling lights to mesmerise and consume the entire audience though, of course, it was what was playing that truly captured the attention of those in attendance. The textured landscapes that Aphex Twin‘s trademark sound explores are played, backed up by some wonderful effects that make the music just as encapsulating as it was the first time you heard it. Featuring just as many covers as untitled’s, the visuals on display help to cement Aphex Twin as a master in what he does: creating music so warped but painstakingly measured and tweaked that, when mixed with some tantalising graphics, is the closest thing to living art that you can get.

Run The Jewels Give London A Political Injection

Run The Jewels Field Day 2017

Field Day may have got most of its buzz this year with pioneers of certain genres playing, the festival made sure to show just how much they have the finger on the pulse. Case in point: American rap juggernauts Run The Jewels, a slick, wisecracking pair that has time and time again solidified their quality and importance in our current political climate. With their recently released RTJ3 being a success in almost every regard, there was no doubt that the duo would put on a great set.

It may have started to rain a tad before their performance but Run The Jewels made sure to brighten up the day, well night, of soaked festival goers. El-P, the answer to everyone who asks “where are the good white rappers”, showcases some of his world class flow and wordplay, throwing out sexual innuendos and dick jokes that balance out the hard-hitting social commentary that the act champion. Of course, there’s no talking about RTJ without mentioning Killer Mike, a rap heavyweight in his own right and one that often seems like the voice of reasons both in music and the real world: “If you touch a girl and she doesn’t want you to, we’re gonna beat your fucking ass” he says to a rowdy and unstable audience, resulting in an applause. RTJ3 makes up a great chunk of the setlist but honestly, that’s not a negative. With topics such as police brutality, self image and inner-city turmoil being explored over some lavish and well-produced beats, Run The Jewels not only show that it pays to be aware but that your music doesn’t have to sound lame to educate.


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FAVOURITE ALBUM COVERS #3

Album covers were originally just flimsy bits of paper to try and protect the shiny goods underneath but they have since evolved into something that musicians can use for their artistic expression. Although many artists tend to go for a bland picture of themselves with an equally as bland background, some musicians have produced some iconic and fantastic artwork: Here are just a handful of them.

Aphex Twin – Richard D. James Album

Aphex Twin has always been a bit of a weird character. Just like his collaborations with Chris Cunningham where his eerie smile was worn by creepy school children and hydrocephalic ravers, the Richard D. James Album manages to send a menacing vibe though without any need a faceswap. Every little detail, especially the lighting which adds to the sinisterness with touches like the glimmering eyes, lets listeners know from the get go that what they’re about to witness is just as peculiar and odd as the cover itself.

Bombay Bicycle Club – I Had The Blues But I Shook Them Loose

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Adorning the debut of geeky indie rock band Bombay Bicycle Club’s debut album, I Had The Blues… smartly chooses artwork that manages to represent the music hidden behind its noir colour. Taken by the late American photographer Joseph Sterling, well known for his Age of Adolescence collection, the story behind it further reinforces the youthful nature that drives the album. In Sterling’s own words:

“I took the picture in the early 1960’s along the Lake Michigan lakefront in Chicago,” wrote Joseph Sterling “It was in an area where a lot of kids hung out. A large group would take a blanket, holding it all around the edges, one guy (or girl) would lay on it and then the group of kids would lift and then “drop” it to almost the ground repeatedly and build up power and then throw the kid on the blanket very high in the air. Then they would catch him as he came down and probably do it again. It looked like a lot of fun but you had to have a lot of trust in your friends! It was a pretty popular thing at that time. I don’t know if kids do it now. It can be VERY DANGEROUS! (But they were doing this on a sand beach)”

-Liam Menzies (@blinkclyro)

~

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Rewind: Best Of 2014

2014. What a year. It may have the blockbuster nature of 2013 but that’s what made it all the better as new artists that were previously unknown to the masses made a name for themselves with some of the most impressive records in their retrospective genres. That’s not to say that there wasn’t any big names releasing albums this year. If 2013 was a AAA film directed by Tarantino then 2014 was a Zach Braff film with Bill Murray and who could deny the appeal of both of them.
Albums
  1. Weezer – Everything Will Be Alright In The End

1996. 5 Californian boys in an alt rock band write what’s been hailed as one of the greatest albums of the 90’s. The band in question is Weezer and for the past decade or so they’ve suffered from the success of Pinkerton. With every new release, fans are expecting a worthy successor to the album and are regularly disappointed but this was all changed with the release of Everything Will Be Alright In The End. Featuring some of the best songs that the band has produced in recent memory, arguably their whole career, EWBAITE is an apology letter to the fans and one that makes it hard not to forgive Rivers Cuomo and co.
  1. Mac DeMarco – Salad Days
“I feel sort of weathered and beat down and grown up all of a sudden. I’ve always had some kind of plateau that I wanted to reach, and now I just can’t see the next one.This is how Canadian musician Mac DeMarco felt after his extensive touring that lasted over a year and you can really hear it. Salad Days , recorded in DeMarco’s apartment, is laid back and relaxing, drawing you in with unwinding melodies like Let My Baby Stay and Blue Boy. It’ll be a hard feat to find any other album that can calm and entertain you as much as this psychedelic pop beauty.
  1. Aphex Twin – Syro

2014 wasn’t just the year of the up and coming, as proved by the return of this borderline insane genius. Announcing his return by flying a small blimp over London carrying the trademark Aphex logo, master of ambience Richard D. James came out of nowhere to clinch the bronze with an album full of a sound that is brand spanking new yet quintessentially Aphex Twin. Starting off with what is arguably the best song of the year, Syro manages to captivate its audience from beginning to end with lovely minimalistic piano solo aisatsana [102] delivering an amazing end to an amazing album.

  1. Bombay Bicycle Club – So Long, See You Tomorrow
Fans of Bombay Bicycle Club can relax knowing that the boys have cemented themselves as one of the best in the current wave of British indie bands with such a tremendous album, infusing everything from synth pop to RnB that transfer to their live performances seamlessly. It’s odd to think how a band could create a record that has every single track bringing something new or tremendous to the table but Bombay Bicycle Club have managed it and from the looks of things, it’s not set to be the last time.
1. Run The Jewels – RTJ2
Hip Hop was a dominating force last year with Drake, Kanye, Tyler The Creator, Earl Sweatshirt and A$AP Rocky just a small slice of what the genre had to offer. However no album last year could prepare you for what Run The Jewels have to offer. You need proof? Take Blockbuster Night Part 1, a song true to its name as Killer Mike and El-P rap over a Godzilla-like beat, rap’s equivalent to the Jaws theme tune. Every track is dark and fresh, I could honestly write page after page on why I love this abum. I’ll save you all the earache and just tell you to go pick up Run The Jewels 2, it’s in a whole fucking league of its own.
4.Sun Kil Moon – Benji
Mark Kolezek, love him or hate him, is undoubtedly one of the best songwriters of all time. And Benji (his 6th record under the Sun Kil Moon moniker) has cemented that claim. Benji isn’t an easy ride, but it’s a vital one. All of the album’s 11 tracks are heartbreakingly sad, from album opener Clarissa (which tells of one of Kolezek’s relatives who died in a freak fire at the age of 25) to closer Ben’s My Friend (Ben Gibbard of Death Cab for Cutie being the Ben in question), each and every song paints a vivid picture of a man who doesn’t truly know how to express himself outside of his music. Look past the public beefs and media bullshit and lose yourself in the mind of the 21st century’s finest solo artist.
3. La Roux – Trouble in Paradise
If you’d have told me that the girl who sang Bulletproof would one day write one of my favourite pop albums of all time I would have laughed right in your face, yet here we are. Trouble in Paradise is a pop masterpiece. It’s 9 tracks are nothing short of pop-funk brilliance and I urge anyone and everyone to listen to it as soon as possible if you haven’t. The departure of founding member (and Elly Jackson’s former boyfriend) Ben Langmaid was, at the risk of sounding like a dick, the best thing that could have happened to La Roux from a creative standpoint. It gave Jackson more freedom to experiment with funk, afro-pop and Caribbean sounds, and these influences compliment Jackson’s voice greatly. Songs like Kiss and Not Tell and Sexoteque will instantly put a smile on your face, and remind me of Prince at the height of his powers. In short, this album is absolutely essential.
2. The Xcerts – There is Only You
Ah, the Xcerts. Hailing from my hometown, I couldn’t help but feel a wee twinge of pride when listening to their latest LP “There Is Only You”. This record is an absolute monster. It’s relentlessly catchy (I can say with complete honesty I get at least one song from the album stuck in my head a day, and I’m still not sick of it) but underneath the catchiness lies real lyrical heart. Songs like Pop Song and Kick It, while feverishly memorable, are truly sad at their core. This, from an outsider’s perspective, sounds like the album the Xcerts have always wanted to make. Heavy, poppy, sad, brilliant.
1. Taylor Swift – 1989/The Twilight Sad – Nobody Wants to be Here and Nobody Wants to Leave
I couldn’t do it. I couldn’t pick between these two albums. I tried, so hard to make a call and I just couldn’t. They’re both the best albums of the artists’ respective careers and they’re both absolutely stunningly brilliant. Content-wise, however, these albums couldn’t be any more different from each other.
Taylor Swift has perfected the art of the pop song. She’s 100% the best pop star of the 21st century, and she may well end up being the biggest pop star ever. Songs like I Know Places and Blank Space solidify this, some of the best pop songs to come out in YEARS. I could have used any song on the album to make that point thought: from start to finish it is nothing short of pop perfection.
Now onto the Twilight Sad, the polar opposite to Swift’s bubblegum sweetness. The Twilight Sad are gritty, raw. Their songs have no happy endings, and they couldn’t give a fuck. There’s more heart and sadness poured into this album than there is in all the album’s released this year put together. From the devastating Drown So I Can Watch to album closer Sometimes I Wish I Could Fall Asleep and all the songs before and after, you’re grabbed by the throat and taken on a journey. It’s not an easy album to listen to, it’s a harder album to truly enjoy, but it is crucial to listen to.
Favourite albums of 2014:
FKA twigs-LP1
Although Britain can boast about its electronic success stories like James Blake, Jai Paul and Jamie XX, female artists in the genre are few and far between. However this year, Tahliah Debrett Barnett, aka FKA twigs, served the U.K (and the rest of the world) a plate of female electronic goodness with her debut album LP1. The album is an absolute beauty, combining experimental pop, R&B/hip hop beats, and layered whispery vocals to create an original, almost angelic sound. LP1 undoubtedly features the newest sounds I’ve heard in British music in a while and is definitely the coolest, most weirdly seductive release this year.
Favourite track: Give Up
Nicki Minaj-The Pinkprint
Nicki Minaj is easily one of the most hard working women in mainstream hip hop at the moment. Throughout 2014 she created buzz for the follow up to Roman Reloaded, releasing single after single, controversial video after controversial video and presenting the MTV EMAs. After all the hype I was worried that The Pinkprint wouldn’t live up to my expectations, but if anything, it exceeded them. Minaj is no one trick pony. The record is full of variety, going from emotional looks into her past, sultry duets with the likes of Beyonce and Ariana Grande, heart breaking ballads, pop bangers and impressive examples of her sheer rap talent. Trash talking Nicki is old news. The Pinkprint is fierce, fantastic; and makes her numerous skills absolutely undeniable.
Favourite track: Feeling Myself
Warpaint-Warpaint
Warpaint are talented ladies. As impressed as I may have been with their debut “The Fool”, this follow up is so, so much more mature and developed. With production and mixing assistance from the likes of Flood and Nigel Godrich, and a new band line up, it seems Warpaint has truly allowed the girls to find their sound. As the songs were written mostly during jamming sessions the record has a raw, experimental feel to it, and as expected the vocals feature heart stopping harmonies that are hauntingly atmospheric. Alongside the indie dream pop vibes there are also aspects of shoe-gaze, electronic music, and most notably hip hop and R&B which gives the album a feel of originality. It’s a stunning release that can be left on repeat and still somehow manage to leave the listener fascinated.
Favourite track: Biggy
Sonic Highways by Foo Fighters
Foo Fighters’ eighth studio album received mixed reviews but you can’t deny they’ve still got it. The theory behind Sonic Highways- recording each song in a different city- flaunts the creative ideas of the band. Using the influences of each location, each track is distinctive but the classic Foo’s clash of guitars and strong vocals is still recognisable.
Most of the mere 8 songs are on point and carry a punch, making up for the limited length. As a stand-alone album, the music is more important than the concept, but the Sonic Highways documentary provides a deeper insight into the record.
Listen by The Kooks
From the first time hearing Listen, it felt like a world away from The Kooks’ earlier albums. They’ve gone in a completely different direction, experimenting with a variety of ideas. No more indie rock, although the guitars are still there, disguised under layers of funk, tambourines and claps. If you don’t want to sing along then you’re not listening properly. Each track is individual, standing out from the others, making their fourth album the most diverse one yet. Their older fans may not like the big change but some may be pleasantly surprised by this fun, upbeat release.
There Is Only You by The Xcerts
You can’t help but keep coming back to this album. The Xcerts put so much passion into their music and There Is Only You is no different. Blending rock with a small amount of pop, they’ve found the perfect balance of not-too-heavy but still rough enough. Even from the first listen, the songs leap out and don’t all mix into one. Catchy? Definitely. And the elegant title track is an unusual but beautiful finish. Touring recently with fellow Scottish band Twin Atlantic helped to boost their popularity along with this energy-filled album.
Royal Blood by Royal Blood
You only need to listen to this to see why Royal Blood have become so popular in such a short space of time. This self-titled debut has propelled their career- going from small shows to supporting Foo Fighters next year. It’s incredible how full and heavy the sound is for just bass and drums. Every song is epic in its own way, whether it’s for the pounding drum beat or the killer riffs. This album is filled to the brim with energy and it would be amazing to see them play live for it to come to life.

Big love, Liam x

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BCAYMI: November 2015

When I attempted, and failed, to make my series Blink (Clyro) And You’ll Miss It into a monthly thing, I kinda fucked it up. Despite being one of my most popular posts, there was something about it that just didn’t sit with me right, like the potential it had just wasn’t being used. Now after a few months of procrastination  careful thinking, I’ve brought it back! *insert one person clapping*

Not only will BCAYMI (see, it just rolls off the tongue) cover music but it’ll also feature film, TV and gaming content that means you’ll constantly be in the loop. Think of it as a smaller, less indie NME except my head isn’t lodged up Arctic Monkey’s arse and people don’t write bitchy tweets about me. Well, as far as I know.

Music

Featured Artist Of The Month

Codist

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To quote the world renown author Me, Glasgow trio Codist’s sound is like “if you put Biffy Clyro’s gritty, stripped back tone from Blackened Sky in a blender with Weezer during their blue album era”, not a small compliment for someone with half of one of those band’s name in their website name. With Chris Curry now joining the band to raise the number of members to 4, it’s exciting to see how the band will shape their sound of their upcoming album in addition to their upcoming gig at Glasgow’s The Hug And Pint this December. Codist 2.0, here we go.

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Top 5 New Tracks

1.Modern Baseball – The Waterboy Returns

If their Sophomore album You’re Gonna Miss It All was about being in denial about your problems then Philadelphia based band Modern Baseball’s new track is about admitting these issues and trying to move on from them. Full of sombre, personal lyrics, Brendan Lukens’ trademark nasally vocal style has never sounded so good.

2. Weezer – Do You Wanna Get High

Returning from the critical acclaim of their 2014 release Everything Will Be Alright In The End with a sound more reminiscent of their Pinkerton days, Weezer bring the crunchy guitars and ridiculously good lyrics the band built their name on.

3. Aphex Twin – avril altdelay

With Avril 14th being one of British electronic musician Richard D James’ most famous tracks, it was only a matter of time until he revamped his iconic song which has only made it even more pleasant. It won’t be long until Kanye begs for the chance to sample this again.

4. Chance The Rapper – Angels

Since the release of his second mixtape Acid Rap, Chicago born rapper Chance The Rapper has collaborated with the likes of James Blake and Donald Glover. Now he’s got fans in a frenzy as he teases his third mixtape and Angels hasn’t dampened their spirits, full of references to Kanye West and gospel hooks, this track is not only a homage to Chicago but a testament to the potential Chance has.

5. Guy Garvey – Angela’s Eyes

Owning one of the finest voices music has ever witnessed, Elbow frontman Guy Garvey has released his first solo album to showcase his remarkable vocals and new found sound. While not unfamiliar, there’s enough changes to justify a release and Angela’s Eyes is an excellent example of this.

Album of the Month

Grimes – Art Angels

November is a huge month for female artists with the great return of pop powerhouse Adele returning with her third album 25 and the likes of Drake collaborator Tinashe and *shudder* Ellie Goulding, girl power is very much in the air. November is also huge in terms of the return of an electronic wizard: Grimes.

Her unusual yet pleasing style of vocals and synths are ones that just shouldn’t work yet every time they just seem to get better and better. Thankfully the same can be said about tracks off her upcoming follow up to 2012’s Visions as EDM influenced Realiti and the catchy Flesh without Blood are comforting proof that even with the lack of substance abuse on this release, the canadian artist can still deliver.

(P.S bonus points for that amazing japanese inspired artwork, which perfectly captures the atypical nature of Grimes.)

Upcoming Gigs 

  • U2 @ Hydro – 6th & 7th November | Tickets
  • Bloc Party @ O2 ABC – 9th November | Sold Out
  • The Prodigy @ Hydro – 23rd November | Tickets
  • Slaves @ O2 ABC – Thursday 19th November | Sold Out
  • FIDLAR @ Garage – 12th November | Tickets
  • Bring Me The Horizon @ Edinburgh Corn Exchange – 25th November | Sold Out
  • Frank Turner @ Barrowlands – Friday 13th November | Sold Out

Kent punk duo Slaves visit Glasgow’s O2 ABC this month
 Upcoming Albums

  • Justin Bieber – Purpose (13th November)
  • Adele – 25 (20th November)
  • Rustie – EVENIFUDONTBELIEVE (OUT NOW)
  • Bob Dylan – The Cutting Edge 1965-1966: The Bootleg Series Volume 12 (November 6th)
November marks Adele’s triumphant return with new album 25

Film + TV

Film of the Month

The Good Dinosaur
Released: 27th November

Yes, I’ll look like a big waine for choosing this over Spectre but bare with me. Since Spectre was released last month and has been praised to no end (which it totally deserves) , I thought I’d go for a film that’s actually released this month and what better than Pixar’s next film. The Good Dinosaur is about an alternate timeline where the meteor that wiped out the dinosaurs narrowly missed, meaning that the giant creatures still exist. What follows is the tale of Arlo as he suffers a major loss (not hard to guess what happens, it’s Pixar after all) and tries to find his way back home.

This film has a chance to fail as it seems like it’ll be cliched and it’s directed by someone who’s only ever been behind the camera one times: for a Pixar short. However, it also has the opportunity to surprise everyone and become what the incredibles was to superhero films. In addition to this, the film has already been praised for its photorealistic visuals, meaning regardless if the film’s a flop, it’ll be a beautiful one. Who knows what will happen but regardless if it’s bad or fantastic, I’ll be there to see it.

TV Show of The Month

Peep Show
Starts: 11th November

What else was it going to be? Ranking alongside The Inbetweeners for being one of the most quotable British comedies of all time, Peep Show has kept us waiting in anticipation for 3 years for what is now the show’s last season. To avoid giving anything away to those who have avoided all previews and interviews, the ninth season will consist of “Mark trying to sell a loan to a gullible idiot while Jeremy is living in a bath”. The premise alone sounds hilarious and it’ll be worth it alone to see Mark, Jeremy and Super Hans for the last time before they fade away into Channel 4 fame. With this and Catastrophe, Channel 4 can rightfully call itself the home of Comedy.

Will it be worth the wait? No idea. Will it be quoted relentlessly by hundreds of users on Twitter? You bet yer arse.

Gaming

Game of the Month

Fallout 4
Released: 10th November

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In a month full of blockbuster game releases, Bethesda have their work cut out for them. Not only are they up against two juggernaut FPS going by the names Star Wars Battlefront & Call of Duty but there’s also the return of both Guitar Hero and Rock Band. Are they worried? Of course not.

Regardless if this game flops like a fish out of water, millions of gamers will still pick up Fallout 4 because, well, it’s Fallout. It’s an immersive post apocalyptic wasteland, full of radiation inflicted monsters and other humans just as desperate as yourself for supplies, safety and, most importantly, power. Its predecessor, unsurprisingly called Fallout 3, is one of my favourite games of all time and the sound of returning to the franchise with better graphics, more customisation and even greater gameplay, is too good to pass up. If you pick up one game this month, make it this.

BLINKCLYRO

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Cheers for sticking all the way to the end and I hope you enjoyed what I hope to be a regular thing! Any feedback is more than welcome and if you have any suggestions, whether it be a new track you think deserves more attention or you’re part of an up and coming band who want an opportunity to get their name out there then email me @ liammenzies96@gmail.com.

Over the past two months BLINKCLYRO has accumulated over 2,000 views and I couldn’t be more thankful for that! Here’s hoping I can keep you lot entertained for the rest of 2015 and beyond, perhaps even venture into different outlets *nudge* *nudge* *wink* *wink* . You can follow me on Twitter @blinkclyro and over on my facebook page here. What follows is a wee schedule of what you can expect from the site this month!

Schedule

  • Life Is Strange review – Sunday 8th November
  • Bloc Party gig review – Tuesday 10th November
  • Frank Turner – Saturday 14th November 
  • First week with Fallout 4 (sort of review) – Tuesday 17th November
  • Slaves gig review – Friday 20th November
  • Bring Me The Horizon gig review – Thursday 26th November
    + even more tbc!!!!

After releasing the best album of their career, Bring Me The Horizon come to Edinburgh with their fresh new sound.
After releasing the best album of their career, Bring Me The Horizon come to Edinburgh with their fresh new sound.
Big Love, Liam x

Top 10 Controversial Music Videos

Ever since Video Killed The Radio Star debuted on MTV over 30 years ago, music videos have became a huge canvas for artists to express their creativity but just in the same way that violent movies rile up the media and parents, so to can certain music videos. Some are odd yet creative while others are just plain weird and this list serves up mainly the latter.

Nirvana – Heart Shaped Box

It wouldn’t be a music controversy list without Nirvana now, would it? The first single off the band’s record In Utero came along with a music video that would be sure to creep out some of their mass following that they had accumulated thanks to their previous album Nevermind. Twisted Wizard of Oz imagery, crucifixion and a girl donning Klu-Klux Klan attire were all present in this video that received some surprising positive feedback from critics and helped the band to win two MTV Music Video Awards that year.

Pearl Jam – Jeremy

It’s hard to believe that the ever popular and influential Pearl Jam were relatively unknown at one point but in 1992 that was exactly the case. Their debut Ten was a slow mover but their third single Jeremy managed to gain a lot of attention due to the accompanying music video. Filmed by Mark Pellington, the powerful video is notoriously known for its re-enactment of an incident where a schoolboy shot himself in front of his class which led to the swift removal of the scene though blood can still be seen on the classmates clothes. The public attention that the video gained helped Pearl Jam to become mainstream rock stars overnight and the band haven’t looked back on it.

Eminem – Stan

Eminem isn’t one to shy away from controversy. Be it his sometimes violent, sexist and homophobic lyrics or being blamed for the suicide of a teenager, the rapper never seems to be out of the public eye. This wasn’t any different with the music video Stan which tells the tale of a deranged fan who commits suicide and was plagued with heavy censorship due to the violent language and scenes though this didn’t stop it becoming one of the best known music videos or one of Slim Shady’s best selling tracks.

Marilyn Manson – (s)AINT

Often called the most violent and controversial music video of them all, it should be no surprise that the artist in question is none other than heavy metal musician Marilyn Manson who’s been blamed by the media for inspiring the events of the Columbian High School Massacre due to his violent lyrics. Although the media clearly tried to use him as a scapegoat in this incident, the music video for his song (s)AINT was so violent and controversial that it was never broadcasted, most likely due to its dark, bloody and sex filled scenes that make up the video. These scenes include Manson self harming, masturbating and taking heroin.

MIA – Born Free

Possibly the most odd video on this list, the accompanying short film for the British rapper’s single Born Free depicts a genocide against Red Haired people and barely lasted a day on Youtube. Although it’s still available on some sites, it’s still pretty harrowing to see scenes reminiscent of the holocaust in a music video.

The Prodigy – Smack My Bitch Up

You could probably guess that this would be on the list from the title alone. Featuring scenes of drug taking, sex with hookers and female violence, it’s no surprise that this received backlash from feminists and was initially banned from TV though demand by fans saw MTV start to air the video late at night.

Korn – A.D.I.D.A.S

Seeing as the title stands for All Day I Dream About Sex, it shouldn’t surprise anyone that this one features some eyebrow raising scenes. This video full of vulgar lyrics contains post mortem pictures of the lead singer in woman’s clothes and body-bag dancing with no sports advertisement.

Tool – Prison Sex

Although it might be a relief to hear there’s no soap dropping scenes, this video for the band’s debut single is still incredibly creepy. The plot revolves around a white humanoid, almost robot like doll who goes catatonic when confronted by a larger black humanoid who proceeds to fondle him with a paintbrush. MTV quickly removed the video after a few viewings due to the symbolism of child abuse though the art direction was still applauded by critics.

Aphex Twin – Come To Daddy

Seeing as it’s appeared on various “100 Scariest Moments of TV” lists, it should be no surprise that this one is a bit creepy. Filmed in the same estate that Stanley Kubrick’s classic A Clockwork Orange was, the video includes a gang of small children with Richard D James’ face wreaking havoc while an evil spirit emerges who’s face is very much nightmare worthy.

Smashing Pumpkins – Try, Try, Try

The band had a very different approach to this video which only featured lead singer Corgan sitting in a chair while the video showed a sad tale about two homeless drug addicts who are soon to be parents. The video juxtaposes the upbeat music with graphic footage of a drug overdose, prostitution, and larceny and although there is a brief happy perfect family segment, this soon takes an extreme turn for the worst. No matter what ending you see, the video is still chilling and extremely moving.