An Ayr Rise Festival 2018 Review…

words fae liam menzies (@blnkclyr)

It’s not often mentioned but the state of music festivals in Scotland is rather depressing. Sure, TRNSMT is doing awfully gid for something that just began last year but when you look at some of the countries heavy hitters, you’ll come to the startling realisation that the days of Rockness and Wickerman Festival are far behind us with most being sadly cancelled. Hell, even TRNSMT itself is the continuation of an annual festival that sadly dipped in quality before reaching its anti-climatic end.

That being said, we’re beginning to see a rise (no pun intended) in smaller festivals that relish in giving smaller acts a chance to show off and bring their sound to an audience that may have previously passed them by. It makes total sense considering that the likes of Tenement Trail use established venues in order to host the acts, meaning the razzle-dazzle of your usual festival is left to the wayside in order for the music to be the real selling point and with tons on offer, and plenty to drink, it’s an ideal situation.

Ayr Rise definitely seems keen on bringing this to an area that, while rife with talent, often doesn’t generate a blip on the musical radar due to its location. Taking place in local nightclub Furys, a venue which is often the go-to for local gigs, it was an event that was not only important for those involved but one that would ultimately serve as a determining factor for whether or not something of this magnitude could work.

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Things were off to a promising start with Molly Eliza taking to the stage. While she may have been filling in the slot left vacant by Atlas Run, it ultimately gave Ayr Rise some variety which benefited it greatly: she may reference the likes of Nina Nesbitt as an influence but you wouldn’t be mistaken for noticing hints of Sophie Allison or even a vocal resemblance to pop heavy hitter Lorde. Her music wasn’t only just pleasant to listen to but also offered some interesting insight lyrically, meaning she could end up joining the ranks of Young Fathers in politically aware Scottish music. Some songs may have been screaming for some backup, specifically some drums, but the minimal performance from Molly left a good taste in the mouth – keep this one on your radar.

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Keeping the momentum going were Ayr-based rock outfit Anna Conda and right off the bat, we were hit with remnants of what could easily be mistaken as demos from the fictional Scott Pilgrim band Sex Bob Omb (a high bit of praise fae us). As the act continued on, the band’s influences became increasingly obvious (someone or all involved in the act definitely has a soft spot for The White Stripes as shown by their Fell In Love With A Girl cover) but it by no means detracted from the enjoyment Anna Conda provided: infectious harmonies rolling over some octane performing culminated in what was easily a hugely entertaining set from the boys who we’re sure we’ll see more of in the future.

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A band still very much in their infancy, only emerging at the tail end of 2017, Honours. were up next. In terms of stage presence, it was a little lacking (which may be totally down to either nerves or the sheer variety of chords that they’ve bolstered in promotion) but there was definite moments that showed they’ve got the foundations laid to make some really interesting alt-rock.

27545489_381304295674464_7592854196806952831_n.jpgThere would be no prizes for guessing what acts have paved the way for the sound ZANG are going for but oh lordy, did they put on a show. Frontman Bunny Wood channelled that rock and roll frontman attitude both in his vocals, that were reminiscent of another funky, bluesy rock and roller Robert Plant, and the mannerisms he showed off on stage. The argument could be made that the band weren’t quite as varied as we would have liked them to be but for what they’re going for, and for how they managed to keep our attention, ZANG did exactly what they needed to do and then some.

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Positioning themselves as an alt-rock riff machine, Zola didn’t disappoint with a rip-roaring good rock time. While the audience at Rise were rather timid (myself included), this didn’t stop the band from interacting with the crowd and trying to get everyone right into the gigging spirit. There were a fair few moments where I found myself reminded of Queens of the Stone Age, a comparison I may throw around a bit frequently but the layered performances and the synergy between and the vocals means I feel justified in that bit of acclaim. Showing off their latest single to finish things off, Zola are certainly going places and we’re looking forward to seeing how they evolve.

21949833_822681854604537_7924578189341822206_o.jpgOur last act of the night (family ting), The Mawb are an act we’ve discussed a fair bit over the past year and a bit but for good reasons. Front-man Ewan McCulloch was the head honcho of tonight’s operation so the fact he had the energy to balance both organisation and performing all on the same day has to be commended. On the related note of said performance, The Mawb were the best they have been yet and hit me with that familiar feeling of pride, not only for the fact they’re an Ayrshire based act doing it proud but for constantly shifting their sound.

Everyone in the act was on phenomenal form, Callum McIlwaine being the devilish chap on guitar we’re all used to and incorporated a wireless device so he could prance about the club while playing, picking up a pint in the process. The aforementioned Ewan continues to impress with those pipes of his and bassist Harry Mawb still radiates that effortlessly cool as a cucumber attitude about him without breaking a sweat. Drummer Paul Nally seems to have totally come out of his shell at this point and it definitely added it all, his commentary during the break between each track adding a certain charm to it and by the closing track, he was clobbering away at his set with the energy of a man who had just went through a botched exorcism. To put it simply, it was a bloody great end to our night.

So Ayr Rise was an overall success, showing that a local festival can definitely work when the right management and acts are brought in. If there’s any feedback we could give, it would be that next year’s event (which we hope is on the cards) tries to shake up the genres on offer: every festival has their strong point but we’d love to see some more bands that don’t fit into the alt-rock mould. From an optimistic perspective, money permitting, it would be exciting to see Ayr Rise branch out amongst some other venues in the town: West of the Moon may no longer be with us but places such as Soundmagic would serve as a nice alternative stage and Big Sparra Vinyl potentially acting as an acoustic one for some stripped back sessions. Of course, this is pure speculation but Ayr Rise, much like the acts playing it, is brimming with potential and we’re crossing our fingers that we get to see it return in 2019 and beyond.

The Gid Time Gig Guide: March 2018

If you didn’t already know, us folk here at BLINKCLYRO love gigs and, considering you’re reading this, we’re sure you do too. Having compiled concert listings for The Student Advertiser, which often tallies up over 200+ gigs in Glasgow & Edinburgh alone, we thought that to help you guys decide, as well as inform you of events taking part in other areas, we’d come up with this handy wee guide that’ll shine a light on events that you’ll be wanting to end up at barrier for.

Note: We don’t take requests for this series so don’t get in touch regarding this.

SAMAs Paisley Takeover @ Paisley Arts Centre, Paisley – 2-3/3/18

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A jam-packed double event, the Scottish Alternative Music Awards (SAMAs) aren’t just organising some great panels and workshops but also making sure they don’t slack in the gig department: it wouldn’t be a definitive Paisley gig without disco rockers The Vegan Leather and shoegazers SWAY playing who will no doubt provide some stunning sets, in addition to Glasgow’s very own Pronto Mama making this takeover too tempting to turn down.

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CLUB DECODE PRESENTS: PINK @ Nice N Sleazy, Glasgow – 5/3/18

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It’s always exciting to see fellow up and coming sites make the jump into the live music realm and CLUB DECODE are doing that again, after more than a year of waiting, with two events in March: GLITTER will take place on the 22nd but for chronological order’s sake we’re focussing on PINK here though both nights are set to put the spotlight on some of Scotland’s finest indie music. It’ll be a night that will stand out, not just for how bright and glittery the encouraged attire will be.

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Ayr Rise Festival @ Fury’s, Ayr – 24/3/1827540207_105050713635574_4334396787991975203_n.jpg

We’ve been holding out for a local music festival to come around and help the Ayrshire music scene. Welcome to the stage Ayr Rise Festival, a new (hopefully annual) event that will be showcasing some promising talent, some of which we’ve already covered such as The Mawb and Atlas Run. Running from 3-10pm, it’ll be a tight day that we hope will stay around for years to come.

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Young Fathers @ Barrowlands, Glasgow – 24/3/18

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If for some reason you can’t make it to Ayr on the 24th (who can blame with you how horrible the weather is) then Young Fathers sold-out show should be your next priority if you can manage to find someone that isn’t a tout selling a ticket. This unique hip-hop, pop outfit is, for this site’s money anyway, the best band Scotland has to offer at the moment and with their third LP building up to be their magnum opus, you owe it to yourself to get your arse to this show. 

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Phoenix w/ The Vegan Leather @ Barrowlands – 26/3/18

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Before the support was announced for this gig, we were already pretty hyped for it: despite not covering their latest album, we can confirm that Phoenix are even better than they were back in their popularity boom back in 2009. With The Vegan Leather (oh hi again) brought along to get the crowd hyped, this will no doubt be a gig that you can undoubtedly enjoy but where, in a year or so, you can say you saw the Paisley act really breakout. 

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