ALBUM REVIEW: PURE COMEDY by FATHER JOHN MISTY

By Becky Little (@sometimesboring)

Scrolling through Twitter today, it is clear to see that everyone’s favourite narcissist Josh Tillman, known more commonly to you and I as Father John Misty, has created yet another version of his pseudonym. What will it be this time? ‘Farmer Jah Misery’? Nope. Of course, it is ‘Feather Jam Ministry’. Whether this is a big fuck you to critics and the music industry we may never know. It probably isn’t, due to the critical acclaim of his most recent offering Pure Comedy, released on the 7th April. It’s almost as if he loves taking the piss out of himself. However, his online presence is undeniably full of eccentricity, which is to be expected when your success has come from whinging about existentialism so beautifully.

Pure Comedy is the third album our Holy Father has released, which packs in just as much punchy realism and sheer gorgeousness as predecessors Fear Fun and I Love You, Honeybear, respectively released in 2012 and 2015. We were teased in 2016 with the release of Real Love Baby, the first single post-I Love You, Honeybear, a song which rings true with desperate millennials everywhere by claiming “I want real love, baby, ooh don’t keep me waiting.’ Joking aside, the single may have wrongly set us up for an LP just as romantic.

Instead, Pure Comedy is a beautiful and sometimes harrowing critique of 21st-century life, almost taking the piss out of the internet and the culture surrounding it. A perfect example of this is personal favourite Total Entertainment Forever, a track which begins with ‘Bedding Taylor Swift, every night inside the Oculus Rift’. It seems a little sarcastic, no? To be honest, you couldn’t really expect anything less from Josh than a quippy reference to popular culture, which can be seen again in Ballad of the Dying Man, as he references ‘the homophobes, hipsters and 1%’, despite arguably being part of one of those demographics…(I mean hipsters. He isn’t a problematic fave. He’s just a pure fave. As far as we’re aware.)

Further into the album, the song A Bigger Paper Bag seems to tackle more sensitive issues involving coping with mental health, with our Josh singing about being “bent on taking demons down with only your fists”. It is within this song that one of the greatest lyrics of the entire album is nestled – “What a fraud, what a con, you’re the only, one I love”. Here we find a little bit of that missing romanticism, despite it being in a song presumably about alcoholism.

Moving on, and not to sound like a GCSE English essay, but it could be interpreted that Pure Comedy is a grandiose message about the state of current society. Especially with lyrics such as ‘I’ve got the world by the balls, am I supposed to behave?’ which could easily be a reference to the leaders of our world who have no clue what they are doing. They’re in it so they can have their white, wrinkly hands on our incredible diverse world by the balls. Our collective balls.

Thanks, Josh, once again we are left contemplating our own existence. Very on brand.

8.5/10


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GR8 MUSIC M8: January 2017

A new segment where I’ll be taking a look at any albums, EPs and singles that were my favourites of the past month. Want something reviewed? Let me know via twitter.

By Liam Menzies (@blinkclyro)

Albums

Run The Jewels – RTJ3

“We’re in sync so much now, after two records and several tours – and this new one felt like we hit that point in the Rocky training montage when he’s just killing shit,” said El-P in an interview with The Guardian and RTJ3 very much feels like the point where both him and Killer Mike have managed to catch the chicken. Showing sincerity, awareness, and aggression all at once, RTJ are the epitome of every liberal’s worst nightmare: they’re an answer to the intolerance that has infected America since its birth and do not give a fuck who disagrees. Their music is sure to be the soundtrack to the revolution and what a fucking soundtrack that is.

FULL REVIEW HERE

10/10

Code Orange – Forever *

Having had no prior knowledge of Code Orange or any previous interest in metalcore, it came as a total surprise to me that Forever would be one of the first music gems of 2017. Managing to balance off the hardcore punk sound that appears on the vast majority of these tracks by dipping their toes into some alt-rock waters as heard on Bleeding In The BlurForever is a true tour de force, putting aside any worries fans may have had after the act moved onto a major label. If there were any doubts about Code Orange being on their best form then Forever puts them all to rest, under a tsunami of sheer fury.

9/10

The XX – I See You

While there are many changes that are apparent on I See You, what’s utterly remarkable and something that should be commended is the fact that The XX are simultaneously pushing themselves out of their comfort zone while staying true to their humble roots. The sampling on display and subsequent alterations to the sound make it feel like an R&B album more than an alt rock one but the emotional voices that manage to project both passion and insecurities feel so quintessentially XX. There are tracks that feel like they could have been ripped straight off of their debut like ‘Performance’ while others like ‘Dangerous’ and ‘On Hold’ feel like they’ve landed from a parallel universe where the band are far less timid.

FULL REVIEW HERE

8/10

Wiley – Godfather *

Even though he may hit out with the threat of retiring as frequently as Donald Trump tweets out a potential World War 3 catalyst, Wiley has still continued to make music and Godfather may be his magnum opus. Most members of the public no doubt know of the grime artist via his chart hits such as Rolex and Heatwave but it does the artist a complete disservice not to recognise the impact he has had on the genre, being there from practically the beginning and surviving both the boom, death and subsequent revival of Grime. Featuring some of the darkest production to appear on a grime record in quite some time, Wiley offers up a variety of different sounds as well as some amusing and hard-hitting lyricism. Speakerboxx may very well be 2017’s Shutdown as it packs in an Arabic sounding flute, which feels like it was taken straight out of Banjo and Kazooie’s Gobi’s Valley, alongside a dominating and intimidating Wiley who chats about his youth selling drugs while comparing himself to the Bob Marley of Grime. With an output and influence as huge as Wiley’s, it really says something when an album such as Godfather can do him justice.

9/10

Japandroids – Near To The Wild Heart Of Life *

While it may not be as groundbreaking or solid as their past releases, Japandroids have avoided falling into the pitfall that many bands do after taking a break of half a decade away with their third record Near To The Wild Heart Of Life. There are some obvious complaints: there’s a clear lack of witty lyricism from King and it feels far too polished, not a granule of grit to be found. That’s not to say that what is on display isn’t ambitious as the American punk act do all they can to push themselves out their comfort zone and bring new life to a genre many have said is stagnant. Dig beneath the surface and you may find the rock record that you’ll be comparing every subsequent release this year to.

7/10


EPs

David Bowie – No Plan *

Ever wondered what it would sound like if David Bowie had written a James Bond theme tune? Then look no further than No Plan, an EP that marks what would have been the artist’s 70th birthday. Featuring the aforementioned Bond-esque Killing A Little Time as well as the beautiful title track, No Plan manages to display all different facets of Bowie’s musicianship, reassuring all that his legacy will live on.

9/10

Cabbage – Young, Dumb And Full Of… *

Acting as a compilation of all the band’s work thus far, Young, Dumb And Full Off…demonstrates the prowess and sheer energy that Manchester rock outfit Cabbage possess this early in their career. Not just a release full of sad romantic songs about girls, Cabbage touch upon a wide array of political and social matters such as the monarchy, NHS, Austerity and a certain tangerine president with whimsy and appeal, making Cabbage not only one of the most exciting bands in the UK but one of the most aware too.

8/10

Boosegumps – on the way to meet you*

While certain seconds on this EP would give you the feeling that this Heeyoon fronted project had been recorded in a bedroom then swiftly left in the loft for a few years, this only adds to the utter enchantment on the way to meet you offers. Concluding track Happy embodies this EP’s message, with the lines “I am so positive/ I am so happy/ I tell myself every day/ I’m starting to believe me,” being both relaxing and resonant. Lasting only a brief few minutes, Boosegumps EP is very much like its artwork: alluring, soft and calming, full to the brim with positivity.

8/10


Singles

Sleaford Mods – BHS 

With their follow up to Key Markets set to drop in March, Sleaford Mods dropped another tease as to what to expect from English Tapas. BHS, which is clearly in reference to the now defunct UK chain of stores, takes a stab at the 1% and offers the politically aware alternative that Fat White Family constantly slated various other indie rock acts for. On top of that, the rather stripped back drum machine and guitars gives the track the serious vibe needed to carry the duo’s message across and does so wonderfully.

FKA Twigs – Trust In Me

It may have only appeared in the latest Nike ad for what feels like a few seconds but it’s truly a testament to FKA Twigs that this brief amount of time is all she needs to make an impact. While details on her upcoming album are scarce, if the vocals are as beautiful as they are here and the instrumentals just as jarring, unsettling yet alluring then it’ll no doubt be one of the best releases of the year.

Father John Misty – Pure Comedy

Father John Misty’s latest eponymous cut off his upcoming third LP Pure Comedy is a relatively simple piano ballad that holds no punches when discussing its subject matter, delivering some particularly beautiful and thought provoking lines like only Misty can. With 2016 being infamous to say the least, it’s a relief to see that something can come of it and Pure Comedy is sure to be one of many pieces of art that stands as a reflection of what has been and a glimmer of hope of what is to come.

Joey Bada$$ – Land Of The Free

Dropping around the time of President Trump’s inauguration, Joey BadA$$ has undoubtedly provided the best political track of the year so far which touches upon topics of mass incarceration and racism, delivered witfully such as the line on his first verse “Two A’s, Three K’s in AmeriKKKa”. Finish that off with some killer production from Kirk Knight and you have yourself a track that cannot be slept on. 

Mac DeMarco – My Old Man

Making sure to leave fans with more than enough music to keep them content until the album’s release in a few months time, DeMarco dropped the reflective title track My Old Man. While not as stripped back as This Old Dog, My Old Man incorporates some simple synths that, in the context of the album’s concept, shine through as utterly delightful, showing that less can indeed be more. The lyrics, which are usually DeMarco’s strong point, are as touching and introspective as always, in no small part due to the different way he went about writing this album.


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